|
![]() |
|||
|
||||
OverviewFeatured in the 2020 Association of University Presses Book, Jacket, and Journal Show In 1993, Prince infamously changed his name to a unique, unpronounceable symbol. Yet this was only one of a long string of self-reinventions orchestrated by Prince as he refused to be typecast by the music industry’s limiting definitions of masculinity and femininity, of straightness and queerness, of authenticity and artifice, or of black music and white music. Revealing how he continually subverted cultural expectations, I Wonder U examines the entirety of Prince’s diverse career as a singer, multi-instrumentalist, songwriter, producer, record label mogul, movie star, and director. It shows how, by blending elements of R&B, rock, and new wave into an extremely videogenic package, Prince was able to overcome the color barrier that kept black artists off of MTV. Yet even at his greatest crossover success, he still worked hard to retain his credibility among black music fans. In this way, Adilifu Nama suggests, Prince was able to assert a distinctly black political sensibility while still being perceived as a unique musical genius whose appeal transcended racial boundaries. Full Product DetailsAuthor: Adilifu NamaPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.80cm , Length: 22.90cm Weight: 0.004kg ISBN: 9781978805170ISBN 10: 1978805179 Pages: 186 Publication Date: 15 November 2019 Recommended Age: From 16 to 99 years Audience: General/trade , College/higher education , Professional and scholarly , General , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Incognegro On the Black Hand Side Enfant Terrible Cherry Bomb Chaos and Crossroads Don’t Call it a Comeback… Dearly Beloved: An Epitaph Acknowledgements Notes IndexReviewsAdilifu Nama's work is a sharp, incisive, and fresh take on the life and career of Prince Rogers Nelson. He seamlessly weaves in a critical yet thoughtful analysis of the intersections of race, masculinity, and sexuality while simultaneously chronicling the evolution of Prince's music. For the academically inclined Prince fan, it is a must read. --Matthew Oware author of I Got Something to Say: Gender, Race, and Social Consciousness in Rap Music Dr. Nama explores the life of Prince through the lens of racial politics and the American music industry to illuminate the ways that Prince acted as a racial 'shape shifter.' This book will make you think, make you laugh and make you critically reflect on the constant shifting gendered and racial attitudes American society continues to grapple with. --Sheena Howard author of Encyclopedia of Black Comics Adilifu Nama's work is a sharp, incisive, and fresh take on the life and career of Prince Rogers Nelson. He seamlessly weaves in a critical yet thoughtful analysis of the intersections of race, masculinity, and sexuality while simultaneously chronicling the evolution of Prince's music. For the Prince fan, it is a must read. --Matthew Oware author of I Got Something to Say: Gender, Race, and Social Consciousness in Rap Music Author InformationADILIFU NAMA is a professor of African American Studies at Loyola Marymount University in Los Angeles. He has written numerous books about the intersection between African American Studies and pop culture, including Super Black: American Pop Culture and Black Superheroes and Race on the QT: Blackness and the Films of Quentin Tarantino. Tab Content 6Author Website:Countries AvailableAll regions |