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OverviewFull Product DetailsAuthor: Cassandra HartblayPublisher: University of Toronto Press Imprint: University of Toronto Press Dimensions: Width: 15.20cm , Height: 1.30cm , Length: 22.90cm Weight: 0.300kg ISBN: 9781487588403ISBN 10: 1487588402 Pages: 218 Publication Date: 07 October 2020 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsAbout This Book Foreword Play Script Cast of Characters Setting Time Portrait I: Vera Portrait II: Vakas Portrait III: Alina Portrait IV: Sergei Portrait V: Rudak Portrait VI: Anya Photos Ethnographer’s Essay: Rituals of Vulnerability Introduction Background a. Words for Disability b. Disability in Russia c. Defining Performance Ethnography d. Performance Ethnography and/in Anthropology Staging Disability: Interdependency and Crip Time Making I Was Never Alone or Oporniki: Origins and Writing Process Representing Russia on the North American Stage Making I Was Never Alone or Oporniki: Casting and Rehearsing Access: Disability Theatre in Practice Conclusion Afterword Appendix 1: Performance Ethnography Exercises Appendix 2: Disability Terminology Appendix 3: Russian and Soviet Historical References Appendix 4: Suggestions for Reading this Work in the Classroom Appendix 5: Prop List and Dramaturgical Note Appendix 6: An Ethic of Accommodation Appendix 7: Glossary and Pronunciation of Russian WordsReviewsI Was Never Alone showcases the power of performance ethnography to rise up to anthropology's greatest challenges: to co-produce ethnographic knowledge that is non-extractive, collaborative, relevant, effective, responsible, and just. This is a wonderful book that joins the growing field of experimental and multimodal anthropology; it is compelling, accessible, teachable, and world-opening as it moves across genres of representation and engagement, including ethnographic argumentation, play script, field notes, photographs, and classroom exercises. We see not only what it means to 'crip theater, ' but what it looks like to share power in the production of engaged anthropology. - Debra Vidali, Emory University Cassandra Hartblay's I Was Never Alone is among the most important publications in disability studies that attends to the multiple and contested meanings of disability and impairment in a specific location. Hartblay's ethnography of disability in northeastern Russia encourages us to interpret the social and built environment around us in critical and generative ways; the limitations as well as the potential that she traces in the region should encourage all readers to imagine new, varied, and critically crip futures. - Robert McRuer, George Washington University Located at the intersection of disability studies, performance studies, and cultural anthropology, Casandra Hartblay's I was Never Alone or Oporniki presents a startlingly original approach to what the author labels 'disability expertise.' The book amplifies the collective work of producing creative theater. The voices, theatrical grit, and cultural specificity of people with disabilities in Russia resonate off the page, opening up new channels of understanding and action. - Rayna Rapp, New York University """Cassandra Hartblay's I Was Never Alone is among the most important publications in disability studies that attends to the multiple and contested meanings of disability and impairment in a specific location. Hartblay's ethnography of disability in northeastern Russia encourages us to interpret the social and built environment around us in critical and generative ways; the limitations as well as the potential that she traces in the region should encourage all readers to imagine new, varied, and critically crip futures.""--Robert McRuer, George Washington University ""I Was Never Alone showcases the power of performance ethnography to rise up to anthropology's greatest challenges: to co-produce ethnographic knowledge that is non-extractive, collaborative, relevant, effective, responsible, and just. This is a wonderful book that joins the growing field of experimental and multimodal anthropology; it is compelling, accessible, teachable, and world-opening as it moves across genres of representation and engagement, including ethnographic argumentation, play script, field notes, photographs, and classroom exercises. We see not only what it means to 'crip theater, ' but what it looks like to share power in the production of engaged anthropology.""--Debra Vidali, Emory University ""Located at the intersection of disability studies, performance studies, and cultural anthropology, Casandra Hartblay's I was Never Alone or Oporniki presents a startlingly original approach to what the author labels 'disability expertise.' The book amplifies the collective work of producing creative theater. The voices, theatrical grit, and cultural specificity of people with disabilities in Russia resonate off the page, opening up new channels of understanding and action.""--Rayna Rapp, New York University" Author InformationCassandra Hartblay is an assistant professor of Anthropology and Health Humanities at the University of Toronto, Scarborough. Tab Content 6Author Website:Countries AvailableAll regions |
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