Hyperglossia and the Novel: The Production of (Non) Space

Author:   Elidio La Torre Lagares
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032976228


Pages:   240
Publication Date:   03 November 2025
Format:   Hardback
Availability:   Not yet available   Availability explained
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Hyperglossia and the Novel: The Production of (Non) Space


Overview

Hyperglossia and the Novel: The Production of (Non) Space theorizes hyperglossia as a critical threshold in literary, philosophical, and media discourse—an excessive, recursive textual force that resists closure, coherence, and containment. Drawing from Bakhtin, Derrida, Foucault, Glissant, and Morton, this work constructs an interdisciplinary topology where narrative is displaced by semiotic proliferation. Through readings of Tokarczuk, Bolaño, Braschi, Paz Soldán, and Condé, the book explores how post-narrative texts perform ontological saturation, linguistic instability, and hauntological displacement. Hyperglossia is not a mere excess of language; it is a dispositif, a mechanism of epistemic drift and resistance that destabilizes the relation between text, space, and subject. Engaging literary maximalism, posthumanism, colonial hauntings, and digital textuality, this book maps a poetics of rupture—a world where language spills into non-space and refuses the end. Rather than offering synthesis, it proposes a drift: a movement toward meaning that cannot be finalized, only continually reinscribed.

Full Product Details

Author:   Elidio La Torre Lagares
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9781032976228


ISBN 10:   1032976225
Pages:   240
Publication Date:   03 November 2025
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

I. From Hyperglossia to the Post-Narrative Condition (Introduction) II. Hyperglossia As Epistemic Shift in Olga Tocarkzuk’s Flights III. Technofeudalism and the Semiotic Machine: Reading Paz Soldán’s Iris Through Hyperglossia IV. Mangrove as Method: On Hyperglossia, Dispositif, and Narrative Disintegration in Maryse Condé’s Crossing the Mangrove V. Toward a Textual Topology of Excess: Hyperglossia, Non-Space, and the Crisis of Narration in Bolaño’s 2666 VI. The Spiral That Explodes: Hyperglossia, Non-Space, and the Hauntology of Colonial Identity in Giannina Braschi’s United States of Banana VII. The Gloss That Refuses to End: Writing the Unfinishable ([In]conclusion) Index

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Author Information

Elidio La Torre Lagares is a writer, scholar, and professor in the Department of Comparative Literature at the University of Puerto Rico. He holds a PhD in Puerto Rican and Hispanic-American Literature and an MFA in Creative Writing from the University of Texas at El Paso. His research explores hyperglossia, dispositif theory, and post-narrative textualities, with a focus on Latin American, Caribbean, and World Literature. A prolific author, his publications span poetry, fiction, and academic essays, including Wonderful Wasteland and Other Natural Disasters (2019), Aguacerando (2025). He has presented widely at international conferences and has served as a mentor and thesis advisor in multiple graduate programs. His work bridges literary experimentation and critical theory, engaging with questions of identity, space, and excess in contemporary literature. He is also the founder of the MFA in Creative Writing at the University of Puerto Rico.

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