Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era

Author:   E. Oliete-Aldea ,  E Oliete-Aldea
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2015
ISBN:  

9781349690633


Pages:   227
Publication Date:   14 February 2018
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Hybrid Heritage on Screen: The ‘Raj Revival’ in the Thatcher Era


Overview

Hybrid Heritage on Screen provides a long overdue thorough analysis of the 1980s 'Raj Revival'. It examines imperial nostalgia and troubled ethnic, gender and class relations during the Thatcher Era as represented in cinema and television.

Full Product Details

Author:   E. Oliete-Aldea ,  E Oliete-Aldea
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2015
Weight:   0.454kg
ISBN:  

9781349690633


ISBN 10:   1349690635
Pages:   227
Publication Date:   14 February 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements Introduction 1. The Porosity of Identity Boundaries 2. Britain in the 1980s: The Thatcher Decade 3. British Cinema and the Raj Revival 4. 'On Heroes': Bapu Goes West 5. History in Literary Adaptations 6. The Raj on TV Conclusion: Cohabiting In Hybridity? Appendix. Selected Filmography References Index

Reviews

'Interweaving the colonial and the post-colonial, this new book examines key cinematic and TV texts, as well as literature about the British Raj that makes it to the British screens in the 1980s through an engaging and nuanced interrogation of heritage and hybridity. This is a fine piece of scholarship that efficiently crosses boundaries from film and cultural studies to social and cultural history.' - Rajinder Dudrah, University of Manchester, UK 'Elena Oliete-Aldea provides a meticulous analysis of the British Raj productions of the Thatcher decade. She cogently argues that these highly popular films and TV series promoted a 'lost' British identity while simultaneously acting as a commodification of the nation's cultural heritage. Oliete-Aldea's valuable study will be of great interest to scholars and students of postcolonial studies.' - Felicity Hand, Autonomous University of Barcelona, Spain


Author Information

Elena Oliete-Aldea is Lecturer at the Department of English of the University of Zaragoza, Spain. She belongs to several research groups on film and cultural studies and her main areas of interest include filmic representations of cultural identities and international relationships in the context of globalisation in transnational Anglophone cinema.

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