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Hudibras Samuel Butler The knight-errant Hudibras and his trusty (and somewhat more grounded) squire Ralph roam the land in search of adventure and love. Never the most congenial of partners, their constant arguments are Samuel Butler's satire of the major issues of the day in late 17th century Britain, including the recent civil war, religious sectarianism, philosophy, astrology, and even the differing rights of women and men.Butler had originally studied to be a lawyer (which explains some of the detail in the third part of Hudibras), but made a living variously as a clerk, part-time painter, and secretary before dedicating himself to writing in 1662. Hudibras was immediately popular on the release of its first part, and, like Don Quixote, even had an unauthorized second part available before Butler had finished the genuine one. Voltaire praised the humor, and although Samuel Pepys wasn't immediately taken with the poem, it was such the rage that he noted in his diary that he'd repurchased it to see again what the fuss was about. Hudibras's popularity did not fade for many years, and although some of the finer detail of 17th century talking points might be lost on the modern reader, the wit of the caricatures (and a large collection of endnotes) help bring this story to life.

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The knight-errant Hudibras and his trusty (and somewhat more grounded) squire Ralph roam the land in search of adventure and love. Never the most congenial of partners, their constant arguments are Samuel Butler's satire of the major issues of the day in late 17th century Britain, including the recent civil war, religious sectarianism, philosophy, astrology, and even the differing rights of women and men.Butler had originally studied to be a lawyer (which explains some of the detail in the third part of Hudibras), but made a living variously as a clerk, part-time painter, and secretary before dedicating himself to writing in 1662. Hudibras was immediately popular on the release of its first part, and, like Don Quixote, even had an unauthorized second part available before Butler had finished the genuine one. Voltaire praised the humor, and although Samuel Pepys wasn't immediately taken with the poem, it was such the rage that he noted in his diary that he'd repurchased it to see again what the fuss was about. Hudibras's popularity did not fade for many years, and although some of the finer detail of 17th century talking points might be lost on the modern reader, the wit of the caricatures (and a large collection of endnotes) help bring this story to life.

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