Overview

Examines the film careers and work of British playwrights who worked as screenwriters between 1930-1956. During the period between the 1927 Cinematograph Films Act and the ‘new drama’ of the 1950s, many British writers associated with the stage also wrote for films, bringing the techniques of the well-made play with them. Some, like Bernard Shaw, Noel Coward, and Terence Rattigan were screenwriter-stars, part of the publicity of the films they worked on – Pygmalion, Brief Encounter, The Way to the Stars. Others were less celebrated but had long, successful screen careers, such as R. C. Sherriff, author of Journey’s End, who worked on films as different as The Invisible Man, The Four Feathers and The Dam Busters. Using the authors’ original archives, this book follows the way in which these writers adapted their stage skills for the screen, contributing to the post-war ‘Golden Age ‘of the British cinema, and creating the classic form of screenplay that continues today.

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9798765101094

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Reviews

This is an important new study of British films and filmmaking, bringing a fresh perspective to the relationship between stage and screen, and offering expert commentary on key writers and classic films. -- *This was added from the CR. If used for the back cover, reach out to Mark to check if we could use this * Mark Glancy, Professor of Film History, Queen Mary University of London, UK *

Author Information

David Cottis is Senior Lecturer in Scriptwriting and Programme Leader for BA Film at Middlesex University, UK. He is also a theatre director, writer, critic, and dramaturg. He has edited A Dirty Broth and A Ladder of Words, two anthologies of twentieth-century Welsh plays in English, and wrote chapters for The Oxford Handbook of the British Musical and The Oxford Handbook of the Global Musical.

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