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Subtle and insightful readings . . . The high point of Mr. Lake's book is his masterly analysis of Henry V. . . . Anyone interested in Shakespeare should make the effort to read this book. Even someone intimately familiar with the plays will discover much that is new, from details of historical background to interpretations of specific passages. -Paul A. Cantor, Wall Street Journal In this huge chronologically ordered study, Peter Lake coalesces the English Histories with Shakespeare's Roman plays to argue that the history plays reflect a distinct trace left by the real political manoeuvrings of the period, and provides a wealth of historical information to underpin his case. -Rene Weis, BBC History 'Even as Shakespeare's histories illuminate his times, his times cast light upon those plays. Peter Lake, whose grasp of the Elizabethan political scene is exceptional, illuminates both Shakespeare's world and works. Historians and literary scholars alike will find this a deeply engaging and comprehensive study.'-James Shapiro, author of The Year of Lear: Shakespeare in 1606 'An immensely learned and deeply insightful monograph disguised as a page-turner. Lake offers the most lucid and believable account to date of, as the title promises, how Shakespeare put politics on the stage. Required reading not only for all Shakespeareans but for anyone interested in how literature speaks to and is shaped by its historical moment.' - Debora Shuger, author of Political Theologies in Shakespeare's England 'Peter Lake has written an astonishing book, even for Peter Lake. Learned, lively, provocative and often surprising, How Shakespeare Put Politics on the Stage is a brilliant account of Elizabethan politics and Shakespeare's extraordinary mediation of them. It is a wonderfully sensitive and supple work of literary criticism as well as a deeply engaged account of how Shakespeare's England (which only retrospectively became his ) thought about the most urgent political issues of the day.' - David Scott Kastan, author of A Will to Believe: Shakespeare and Religion

The most detailed, insightful study of [this] topic yet ... masterful ... invites readers to a renewed appreciation for Shakespeare's work-and the intricacies of the dramatist's mind. -Dana Huntley, British Heritage -- Dana Huntley British Heritage

Subtle and insightful readings . . . The high point of Mr. Lake's book is his masterly analysis of Henry V. . . . Anyone interested in Shakespeare should make the effort to read this book. Even someone intimately familiar with the plays will discover much that is new, from details of historical background to interpretations of specific passages. -Paul A. Cantor, Wall Street Journal In this huge chronologically ordered study, Peter Lake coalesces the English Histories with Shakespeare's Roman plays to argue that the history plays reflect a distinct trace left by the real political manoeuvrings of the period, and provides a wealth of historical information to underpin his case. -Rene Weis, BBC History Well deserving of a space on readers' shelves -Marisa R. Cull, American Historical Review 'An immensely learned and deeply insightful monograph disguised as a page-turner. Lake offers the most lucid and believable account to date of, as the title promises, how Shakespeare put politics on the stage. Required reading not only for all Shakespeareans but for anyone interested in how literature speaks to and is shaped by its historical moment.' - Debora Shuger, author of Political Theologies in Shakespeare's England 'Even as Shakespeare's histories illuminate his times, his times cast light upon those plays. Peter Lake, whose grasp of the Elizabethan political scene is exceptional, illuminates both Shakespeare's world and works. Historians and literary scholars alike will find this a deeply engaging and comprehensive study.'-James Shapiro, author of The Year of Lear: Shakespeare in 1606 'Peter Lake has written an astonishing book, even for Peter Lake. Learned, lively, provocative and often surprising, How Shakespeare Put Politics on the Stage is a brilliant account of Elizabethan politics and Shakespeare's extraordinary mediation of them. It is a wonderfully sensitive and supple work of literary criticism as well as a deeply engaged account of how Shakespeare's England (which only retrospectively became his ) thought about the most urgent political issues of the day.' - David Scott Kastan, author of A Will to Believe: Shakespeare and Religion

Author Information

Peter Lake is university distinguished professor of history, professor of the history of Christianity, and Martha Rivers Ingram Chair of History at Vanderbilt University. He divides his time between Nashville, TN, and London.

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