Overview

'Cruz once again offers a fresh glimpse of immigration, womanhood, aspiration and gentrification . . . told in Cara's unfailingly frank, sometimes hilarious, voice' Washington Post Write this down: Cara Romero wants to work. When Cara left the Dominican Republic for America, she thought she would work at the factory of little lamps for the rest of her life. But when the Great Recession hits, she is left unemployed and struggling with the rising rent. To survive, Cara must start again. Set up with a job counsellor, Cara's future is to be determined through forms and questionnaires. But answer boxes can't contain her indomitable personality and tempestuous past, and over the course of twelve sessions we learn of her scandals and struggles, hopes and heartbreaks, why she came to America and what really happened to her son. When everything is lost, sometimes the only way forward is to go back to the start.

Full Product Details

9781399806893

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Reviews

Praise for Dominicana -- - Through a novel with so much depth, beauty, and grace, we, like Ana, are forever changed -- Jacqueline Woodson * Vanity Fair * An intimate portrait of the transactional nature of marriage and the economics of both womanhood and citizenship * New York Times Book Review * Poignant . . . In nimble prose, Cruz animates the simultaneous reluctance and vivacity that define her main character as she attempts to balance filial duty with personal fulfilment, and contends with leaving one home to build another that is both for herself and for her family * New Yorker * This compassionate and ingenious novel has an endearing vibrancy in the storytelling that, page after page, makes it addictive reading -- Irish Times [A] portrait of what it means to be doubly disenfranchised as a female illegal immigrant in an oppressively patriarchal community, but Angie Cruz gives her heroine a glimpse of a different life -- Observer A story for now, an important story . . . told with incredible freshness -- Martha Lane Fox, Chair of Judges, Women's Prize 2020 Engrossing . . . the story itself and Ana, the protagonist, are terrifically interesting. Loved this -- Roxane Gay

Beautifully written and entertaining * Irish Examiner * Cruz once again offers a fresh glimpse of immigration, womanhood, aspiration and gentrification . . . Twelve sessions with a job counsellor provide the framework for Cruz's endearing portrait of a fierce, funny woman . . . told in Cara's unfailingly frank, sometimes hilarious, voice * Washington Post * A taut and poignant novel centred around a 56-year-old Dominican woman grappling with motherhood, acceptance and loss in the midst of the Great Recession . . . Cruz prioritises the importance of seeing an individual's humanity even within the most impersonal of systems -- Zakiya Dalila Harris, author of The Other Black Girl * New York Times * An acerbic look at the effects that gentrification, recession and racial profiling have had on the immigrant experience -- Irish Times A story that weaves the impersonal enormity of the system with a deeply personal, believable and engaging narrative . . . By turns hilarious, tender and moving, this short novel packs a mighty big punch -- Business Post Will have you laughing line after line, even when you wonder if you should be (The answer is always yes! ) . . . Cruz's new novel aims for the heart, and fires * Los Angeles Times * Cruz's latest novel blazes with brilliance, from its first-person character development to its structure to its deliciously slow reveals . . . you can't help but root for Cara * The AV Club * Direct and full of personality . . . turning these pages is like bring invited into a neighbour's kitchen for a good gossip session . . . Cruz has created an unforgettable character in Cara * New York Journal of Books * A tender and quintessentially American portrait * Publishers Weekly *

Cruz once again offers a fresh glimpse of immigration, womanhood, aspiration and gentrification . . . Twelve sessions with a job counsellor provide the framework for Cruz's endearing portrait of a fierce, funny woman . . . told in Cara's unfailingly frank, sometimes hilarious, voice * Washington Post * A taut and poignant novel centred around a 56-year-old Dominican woman grappling with motherhood, acceptance and loss in the midst of the Great Recession . . . Cruz prioritises the importance of seeing an individual's humanity even within the most impersonal of systems -- Zakiya Dalila Harris, author of The Other Black Girl * New York Times * Will have you laughing line after line, even when you wonder if you should be (The answer is always yes! ) . . . Cruz's new novel aims for the heart, and fires * Los Angeles Times * Cruz's latest novel blazes with brilliance, from its first-person character development to its structure to its deliciously slow reveals . . . you can't help but root for Cara * The AV Club * A tender and quintessentially American portrait * Publishers Weekly * Direct and full of personality . . . turning these pages is like bring invited into a neighbour's kitchen for a good gossip session . . . Cruz has created an unforgettable character in Cara * New York Journal of Books *

Author Information

Angie Cruz is the author of the novels Soledad, Let It Rain Coffee, a finalist in 2007 for the IMPAC Dublin Literary Award., and Dominicana, which was shortlisted for the Women's Prize for Fiction 2020. She has published work in the New York Times, VQR, Gulf Coast Literary Journal, and other publications, and has received fellowships from the New York Foundation of the Arts, Yaddo, and the MacDowell Colony. She is founder and editor in chief of Aster(ix), a literary and arts journal, and is an associate professor of English at the University of Pittsburgh.

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