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Author:   Malte Hagener ,  Yvonne Zimmermann
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
ISBN:  

9781041181040

ISBN 10:   1041181043
Pages:   530
Publication Date:   01 December 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Temporarily unavailable  
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Table of Contents

Introduction, Malte Hagener and Yvonne Zimmermann: Unpacking Film History's Own Histories: An Archaeology of Film Historiography, Models of Film Historiography - Philosophy and Time, Thomas Elsaesser: The Aporias of Cinema History, Jane M. Gaines: What Next?: The Historical Time Theory of Film History, Nicholas Baer: Relativist Perspectivism: Caligari and the Crisis of Historicism, Heide Schlüpmann: The Discovery of Early Cinema: The Moment of Silence, Film History in the Making: Processes and Agendas, Francesco Pitassio: Consistency, Explosion and the Writing of Film History: On Different Ways to Approach Film History at Different Times, Masha Salazkina: Defeats that Were Almost Victories: Jay Leyda's (Soviet) Archives, Benoît Turquety: A Filmmaker's Film Histories: Adjacency Historiography and the Art of the Anthology, Yvonne Zimmermann: Hans Richter and the Struggle for the Film History, Re-Visiting Film History: Institutions, Knowledge and Circulation, Firat Oruc: Historicizing Gulf Moving Image Archives, Charles R. Acland: Lost Revolution: British Cultural Studies in Film History, Arvind Rajagopal: The Eclipse of Secular Realism: Notes on the Documentary Film from post-Cold War India, Michael Cowan: What Was a Film Society? Towards a New Archaeology of Screen Communities, Re-Writing Film History with Images: Audiovisual Forms of Historiography, Volker Pantenburg: A Televisual Cinémathèque: Film Histories on West-German Television, Eleftheria Thanouli: The History of Film on Film: Some Thoughts on Reflexive Documentaries, Chiara Grizzaffi: Audiovisual Film Histories for the Digital Age: From Found Footage Cinema to Online Videographic Criticism, Into the Digital: New Approaches and Revisions, Franziska Heller: Future Pasts within the Dynamics of the Digital Present. Digitised Films and the Clusters of Media Historiographic Experience, Alexandra Schneider and Vinzenz Hediger: Tipping the Scales of Film History. A Note on Scalability and Film Historiography, Sarah-Mai Dang: Representing the Unknown: A Critical Approach to Digital Data Visualisations in the Context of Feminist Film Historiography, Select Bibliography, Contributors, Index.

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Author Information

Malte Hagener is Professor of Media and Film Studies at Philipps-Universität Marburg, Germany. His publications include (with Thomas Elsaesser) Film Theory. An Introduction through the Senses (Routledge 2010, 2nd revised edition 2015). He is the co-editor of Handbuch Filmanalyse (Wiesbaden: Springer 2020; with Volker Pantenburg) and the editor of The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945. London: Berghahn 2014. Yvonne Zimmermann is Professor of Media Studies at Philipps-University Marburg. Recent books include the co-authored Advertising and the Transformation of Screen Cultures>/cite> (AUP 2021) and the co-edited Films That Work Harder: The Global Circulations of Industrial Cinema (AUP 2023). She is the editor of a special issue on Asta Nielsen, the film star system and the introduction of the long feature film in Early Popular Visual Culture (2021).

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