Overview

One of the world's greatest bassists lays down the heart of Black music, revealing how its rhythmic structures and the long history of the African diaspora made it the world's most popular form. ""An insightful, revelatory, and informative read."" --Meshell Ndegeocello, singer-songwriter and poet Why do Bob Marley, John Coltrane, Aretha Franklin, and Nina Simone move us the way they do? What drives the worried notes of the Delta blues? What makes Beyoncé's triumph Cowboy Carter inescapably great? As Melvin Gibbs shows in How Black Music Took Over the World, it is the musical inheritance of Africa. Beginning with two rhythmic building blocks he calls the cell and the frame, Gibbs shows how those tools can transport listeners to ""a realm where sounds become vehicles for human movement."" Reforged in the African diaspora in the Americas, they are played today on church organs, electric guitars, computers, telephones, or a simple gourd. Kool & the Gang called Black musicians the ""scientists of sound""--and Gibbs shows how they discovered the world's music. Gibbs's vantage is unique. A world-class musician fluent in many genres, Gibbs is as comfortable in an old-school Times Square record shop as he is breaking down mathematics and music theory with university professors. Imbued with his own journey and a sharp eye for the sins and triumphs of history, How Black Music Took Over the World is an unforgettable revelation of one of humanity's greatest achievements.

Full Product Details

9781541603240

Table of Contents

Reviews

""A stimulating take on the complexities and influence of a rich and multifaceted musical tradition."" --Publishers Weekly ""[Gibbs'] passion comes through consistently, and his discussion of his own versatility is winning and never boastful."" --Kirkus ""An insightful, revelatory, and informative read that lives in the realm of both information and healing salve to many of my own burning questions.""--Meshell Ndegeocello, singer-songwriter and poet ""From the first time I saw Melvin Gibbs onstage, I could immediately tell that Melvin knew stuff that I did not know. I could tell from the look in his eyes and his wry smile that he was thinking big thoughts at the same time he was using his bass to drive the punk rock grooves and to shake the room. Now, all these years later, I've been proven correct. Melvin Gibbs is a keen observer of everything he has seen, and he has seen a lot. Melvin's prose grooves just as hard as his bass playing.""--W. Kamau Bell, comedian, author, and director ""In How Black Music Took Over the World--part thesis, sonic roadmap, and autobiography--Melvin Gibbs, bass player and well-traveled veteran musician extraordinaire, takes the reader on a compelling and immersive journey, not only into music's DNA, but also into why and how it does what it does to us. Conclusion: music is life and inextricably woven into the human experience. A deeply researched and well-written work.""--Henry Rollins, writer and radio show host

""An illuminating and comprehensive story."" --Brooklyn Rail ""A stimulating take on the complexities and influence of a rich and multifaceted musical tradition."" --Publishers Weekly ""[Gibbs'] passion comes through consistently, and his discussion of his own versatility is winning and never boastful."" --Kirkus ""An insightful, revelatory, and informative read that lives in the realm of both information and healing salve to many of my own burning questions.""--Meshell Ndegeocello, singer-songwriter and poet ""From the first time I saw Melvin Gibbs onstage, I could immediately tell that Melvin knew stuff that I did not know. I could tell from the look in his eyes and his wry smile that he was thinking big thoughts at the same time he was using his bass to drive the punk rock grooves and to shake the room. Now, all these years later, I've been proven correct. Melvin Gibbs is a keen observer of everything he has seen, and he has seen a lot. Melvin's prose grooves just as hard as his bass playing.""--W. Kamau Bell, comedian, author, and director ""In How Black Music Took Over the World--part thesis, sonic roadmap, and autobiography--Melvin Gibbs, bass player and well-traveled veteran musician extraordinaire, takes the reader on a compelling and immersive journey, not only into music's DNA, but also into why and how it does what it does to us. Conclusion: music is life and inextricably woven into the human experience. A deeply researched and well-written work.""--Henry Rollins, writer and radio show host

""An insightful, revelatory, and informative read that lives in the realm of both information and healing salve to many of my own burning questions.""--Meshell Ndegeocello, singer-songwriter and poet ""From the first time I saw Melvin Gibbs onstage, I could immediately tell that Melvin knew stuff that I did not know. I could tell from the look in his eyes and his wry smile that he was thinking big thoughts at the same time he was using his bass to drive the punk rock grooves and to shake the room. Now, all these years later, I've been proven correct. Melvin Gibbs is a keen observer of everything he has seen, and he has seen a lot. Melvin's prose grooves just as hard as his bass playing.""--W. Kamau Bell, comedian, author, and director ""In How Black Music Took Over the World--part thesis, sonic roadmap, and autobiography--Melvin Gibbs, bass player and well-traveled veteran musician extraordinaire, takes the reader on a compelling and immersive journey, not only into music's DNA, but also into why and how it does what it does to us. Conclusion: music is life and inextricably woven into the human experience. A deeply researched and well-written work.""--Henry Rollins, writer and radio show host

Author Information

Melvin Gibbs is a Grammy-nominated songwriter, composer, and musician. He is the 2019 winner of the JazzTimes Critics' Poll for electric bass. His cross-disciplinary work encompasses an ongoing collaboration with the theoretical cosmologist Stephon Alexander and a long-term working relationship with filmmaker and conceptual artist Arthur Jafa. He splits his time between Brooklyn and Minneapolis.

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