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OverviewFull Product DetailsAuthor: Rebecca Colesworthy (New York University, New York, USA) , Peter Nicholls (New York University, New York, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9781138294974ISBN 10: 1138294977 Pages: 184 Publication Date: 16 June 2017 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction: Capital’s abstractions 1. ‘Paradise falls: a land lost in time’: representing credit, debt and work after the crisis 2. To think without abstraction: on the problem of standpoint in cultural criticism 3. Materialism without matter: abstraction, absence and social form 4a. An exchange with Susan Stewart 4b. Abstraction set 5. From capitalist to communist abstraction: The Pale King’s cultural fix 6. The bodies in the bubble: David Foster Wallace’s The Pale King 7. Shareholder existence: on the turn to numbers in recent French theoryReviewsAuthor InformationRebecca Colesworthy is a Visiting Scholar in the Department of English at New York University, New York City, USA, and holds an English Ph.D. from Cornell University, Ithaca, NY, USA. She has published a number of articles on literature, theory, and gender studies, and is currently completing a manuscript on modernism and the gift. Peter Nicholls is Henry James Professor of English and American Letters at New York University, New York City, USA. His publications include Ezra Pound: Politics, Economics and Writing (1984), Modernisms: A Literary Guide (1995, 2009), George Oppen and the Fate of Modernism (2007, 2013), and many articles and essays on literature and theory. He has recently co-edited On Bathos (2010) and Thinking Poetry (2013). Tab Content 6Author Website:Countries AvailableAll regions |