Overview

"The question ""Where do we come from?"" has fascinated philosophers, scientists, and artists for generations. This book reorients the question of the matrix as a place where everything comes from (chora, womb, incubator) by recasting it in terms of acts of ""matrixial/maternal hospitality"" producing space and matter of and for the other. Irina Aristarkhova theorizes such hospitality with the potential to go beyond tolerance in understanding self/other relations. Building on and critically evaluating a wide range of historical and contemporary scholarship, she applies this theoretical framework to the science, technology, and art of ectogenesis (artificial womb, neonatal incubators, and other types of generation outside of the maternal body) and proves the question ""Can the machine nurse?"" is critical when approaching and understanding the functional capacities and failures of incubating technologies, such as artificial placenta. Aristarkhova concludes with the science and art of male pregnancy, positioning the condition as a question of the hospitable man and newly defined fatherhood and its challenge to the conception of masculinity as unable to welcome the other."

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9780231159289

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Every feminist scholar interested in the spaces, practices, limits, and social meanings of motherhood will want to read this book. Irina Aristarkhova's erudite, intrepid exploration of the meaning of the matrix in philosophy, embryology, biomedicine, nursing, and performance art is a tour de force of feminist scholarship. Bringing together matter, mind, and new media, her book demonstrates how a full understanding of the matrix dramatically expands the meaning of hospitality itself. -- Susan Squier, author of <i>Liminal Lives: Imagining the Human at the Frontiers of Biomedicine</i> Aristarkhova makes an original and fascinating contribution by spelling out the matrixial/maternal relation as a matter of hosting the other. She opens an alternative vision of self-other relations that redefines philosophical, technological, biomedical, and cultural/aesthetic vocabularies by challenging them to welcome the mother. Artists, thinkers, and scientists interested in the studies of generation, its matter and form, human-machine relation, and biomedical technologies will find this book indispensible and full of new ideas. -- Faith Wilding, artist, Guggenheim Fellow, cofounder of subRosa, a cyberfeminist art collective, and professor emerita, School of the Art Institute of Chicago original and thought-provoking... -- Luna Dolezal * Hospitality and Society *

Every feminist scholar interested in the spaces, practices, limits, and social meanings of motherhood will want to read this book. Aristarkhova's erudite, intrepid exploration of the meaning of the matrix in philosophy, embryology, biomedicine, nursing, and performance art is a tour de force of feminist scholarship. Bringing together matter, mind, and new media, this book demonstrates how a full understanding of the matrix dramatically expands the meaning of hospitality itself. -- Susan Squier, author of Babies in Bottles: Twentieth Century Visions of Reproductive Technology, Liminal Lives: Imagining the Human at the Frontiers of Biomedicine, and Poultry Science, Chicken Culture: A Partial Alphabet What does to generate mean? Aristarkhova makes an original and fascinating contribution by spelling out the matrixial/maternal relation as a matter of hosting the other. Hospitality of the Matrix opens an alternative vision of self-other relations that redefines philosophical, technological, biomedical and cultural / aesthetic vocabularies, by challenging them to welcome the mother. Artists, thinkers, and scientists interested in the studies of generation, its matter and form, human-machine relation, and biomedical technologies will find this book indispensible and full of new ideas. -- Faith Wilding, artist, Guggenheim Fellow, co-founder of subRosa, a cyberfeminist art collective, Professor Emerita, Performance Art, School of the Art Institute of Chicago; author of By Our Own Hands: The History of the Women Artist's Movement in Southern California l970-77, and co-editor of Domain Errors!: Cyberfeminist Practices, 2003

Every feminist scholar interested in the spaces, practices, limits, and social meanings of motherhood will want to read this book. Irina Aristarkhova's erudite, intrepid exploration of the meaning of the matrix in philosophy, embryology, biomedicine, nursing, and performance art is a tour de force of feminist scholarship. Bringing together matter, mind, and new media, her book demonstrates how a full understanding of the matrix dramatically expands the meaning of hospitality itself. -- Susan Squier, author of Liminal Lives: Imagining the Human at the Frontiers of Biomedicine Aristarkhova makes an original and fascinating contribution by spelling out the matrixial/maternal relation as a matter of hosting the other. She opens an alternative vision of self-other relations that redefines philosophical, technological, biomedical, and cultural/aesthetic vocabularies by challenging them to welcome the mother. Artists, thinkers, and scientists interested in the studies of generation, its matter and form, human-machine relation, and biomedical technologies will find this book indispensible and full of new ideas. -- Faith Wilding, artist, Guggenheim Fellow, cofounder of subRosa, a cyberfeminist art collective, and professor emerita, School of the Art Institute of Chicago

Every feminist scholar interested in the spaces, practices, limits, and social meanings of motherhood will want to read this book. Irina Aristarkhova's erudite, intrepid exploration of the meaning of the matrix in philosophy, embryology, biomedicine, nursing, and performance art is a tour de force of feminist scholarship. Bringing together matter, mind, and new media, her book demonstrates how a full understanding of the matrix dramatically expands the meaning of hospitality itself. -- Susan Squier, author of Liminal Lives: Imagining the Human at the Frontiers of Biomedicine Aristarkhova makes an original and fascinating contribution by spelling out the matrixial/maternal relation as a matter of hosting the other. She opens an alternative vision of self-other relations that redefines philosophical, technological, biomedical, and cultural/aesthetic vocabularies by challenging them to welcome the mother. Artists, thinkers, and scientists interested in the studies of generation, its matter and form, human-machine relation, and biomedical technologies will find this book indispensible and full of new ideas. -- Faith Wilding, artist, Guggenheim Fellow, cofounder of subRosa, a cyberfeminist art collective, and professor emerita, School of the Art Institute of Chicago original and thought-provoking... -- Luna Dolezal Hospitality and Society Vol 2, No 3 2012

Author Information

Irina Aristarkhova is associate professor of women's studies and visual art at Pennsylvania State University, University Park. She edited and contributed to the volume Woman Does Not Exist: Contemporary Studies of Sexual Difference and to the Russian translation of Luce Irigaray's An Ethics of Sexual Difference.

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