Overview
Hong Kong Crime Films is the first book detailing the post-war history of the genre before the release of John Woo's A Better Tomorrow (1986), the film that put Hong Kong action-crime on the global map. Focusing on what it calls the mode of 'criminal realism' in the crime film, the book shows how depictions of Hong Kong's social reality (including crime) were for decades anxiously policed by colonial censors, and how crime films tended (and still tend) to confound and transgress critical definitions of realism. Drawing on extensive archival research, Hong Kong Crime Films covers several neglected topics in the study of Hong Kong cinema, such as the evolving generic landscape of the crime film prior to the 1980s, the influence of colonial film censorship on the genre, and the prominence and contestation of ""realism"" in the local history of the crime film.
Full Product Details
Author: Kristof Van den Troost (Assistant Professor, The Chinese University of Hong Kong)
Publisher: Edinburgh University Press
Imprint: Edinburgh University Press
ISBN: 9781399521765
ISBN 10: 1399521764
Pages: 256
Publication Date: 08 November 2023
Audience:
College/higher education
,
Tertiary & Higher Education
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
Van den Troost's excellent book investigates the links between crime, Hong Kong culture and historical events and crime films (including noirs, thrillers, gangster films, etc.) made in the colony between the conclusion of World War II and the release of John Woo's A Better Tomorrow films [...] This is an essential read for scholars of Hong Kong Cinema.--Ian Pettigrew ""Journal of Popular Film and Television"" Hong Kong Crime Films is a remarkable book, a model for the balance between archival research and formal film analysis necessary for understanding film genre and film history. It is this balancing act that generates the concept of criminal realism, which is useful for grasping the complex interplay between film censorship and realism in Hong Kong cinema. This concept can also be adapted and shed light on crime films made in other national film industry contexts. This book is a must-read for anybody interested in Hong Kong cinema, Hong Kong studies, colonial film censorship, and the crime film at large.--Tom Cunliffe ""Modern Chinese Literature and Culture"" Hong Kong Crime Films is a richly textured, deeply rewarding contribution to Hong Kong film studies and to histories of censorship in world film. --Karen Fang ""Film Quarterly"" A comprehensive and sophisticated review of one of the most important and yet least studied film genres of Hong Kong cinema. Clearly written and richly historicized, it illuminates the significant link between crime film and the questions of colonialism, political censorship, and social changes. This timely and compelling book goes a long way toward filling an important gap in Hong Kong cinema studies. --Po-Shek Fu, University of Illinois Urbana-Champaign In this book, Van Den Troost combines his rigorous archival investigation with original textual analyses. The result is an insightful examination of not only the genre itself, but also how cinematic realism in Hong Kong has been actively informed by police governmentality, censorship, and contesting social affects under colonialism. --Victor Fan, King's College London
"Hong Kong Crime Films is a richly textured, deeply rewarding contribution to Hong Kong film studies and to histories of censorship in world film. --Karen Fang ""Film Quarterly"" A comprehensive and sophisticated review of one of the most important and yet least studied film genres of Hong Kong cinema. Clearly written and richly historicized, it illuminates the significant link between crime film and the questions of colonialism, political censorship, and social changes. This timely and compelling book goes a long way toward filling an important gap in Hong Kong cinema studies. --Po-Shek Fu, University of Illinois Urbana-Champaign In this book, Van Den Troost combines his rigorous archival investigation with original textual analyses. The result is an insightful examination of not only the genre itself, but also how cinematic realism in Hong Kong has been actively informed by police governmentality, censorship, and contesting social affects under colonialism. --Victor Fan, King's College London"
Author Information
Kristof Van den Troost is Assistant Professor at the Centre for China Studies at the Chinese University of Hong Kong (CUHK).
