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9781409407652

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A Baker & Taylor Academic Essentials Title in Genocide Studies 'At last, an author who is not afraid to examine the politics of the use of Holocaust imagery. Buettner's ground-breaking study enables us to understand not only why these images, rather than other catastrophes, have come to hold such tremendous power but also how their use evokes affect in a wide range of recent catastrophes and causes. I highly recommend it.' Jon Stratton, Curtin University, Australia 'This is an exceptionally intelligent, brave and perceptive work of cultural criticism, which deals with a genre of traumatic visual imagery that helped define the last century, in order to demonstrate why we need to better understand the ""politics of seeing"" that shapes the production and cultural reception of images in the news.' Graeme Turner, University of Queensland, Australia 'Although Holocaust images can be open to interpretation and misinterpretation, they are also crucial to understanding in our search for explanations, for archival memory and attempts to curate impartial, objective resources such as the Legacy Project which is mentioned in the final chapter. With so many competing, charged emotions and beliefs, this cannot have been an easy book to write, but Buettner has succeeded in producing a thoroughly well-researched and original study which will particularly interest those working in the fields of cultural and media studies. Studies such as this are useful in understanding the way we see and look and the context in which images are presented. It can be recommended.' Online Information Review 'Holocaust Images and Picturing Catastrophe makes a worthwhile contribution to this emerging field of study. ... for those working in the fields of visual/ media studies and identity politics, Buettner’s insights into the workings of visual analogy and the cultural reproduction of images, her deployment of a wide variety of examples, and her explication of the fundamental and multifaceted rol

A Baker & Taylor Academic Essentials Title in Genocide Studies 'At last, an author who is not afraid to examine the politics of the use of Holocaust imagery. Buettner's ground-breaking study enables us to understand not only why these images, rather than other catastrophes, have come to hold such tremendous power but also how their use evokes affect in a wide range of recent catastrophes and causes. I highly recommend it.' Jon Stratton, Curtin University, Australia 'This is an exceptionally intelligent, brave and perceptive work of cultural criticism, which deals with a genre of traumatic visual imagery that helped define the last century, in order to demonstrate why we need to better understand the politics of seeing that shapes the production and cultural reception of images in the news.' Graeme Turner, University of Queensland, Australia 'Although Holocaust images can be open to interpretation and misinterpretation, they are also crucial to understanding in our search for explanations, for archival memory and attempts to curate impartial, objective resources such as the Legacy Project which is mentioned in the final chapter. With so many competing, charged emotions and beliefs, this cannot have been an easy book to write, but Buettner has succeeded in producing a thoroughly well-researched and original study which will particularly interest those working in the fields of cultural and media studies. Studies such as this are useful in understanding the way we see and look and the context in which images are presented. It can be recommended.' Online Information Review 'Holocaust Images and Picturing Catastrophe makes a worthwhile contribution to this emerging field of study. ... for those working in the fields of visual/ media studies and identity politics, Buettner's insights into the workings of visual analogy and the cultural reproduction of images, her deployment of a wide variety of examples, and her explication of the fundamental and multifaceted role the Holocaust plays in our contemporary 'aesthetics of catastrophe' all make it a worthwhile read.' Patterns of Prejudice

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Angi Buettner is Lecturer in Media Studies in the School of English, Film, Theatre, and Media Studies, at the Victoria University of Wellington, New Zealand

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