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OverviewFull Product DetailsAuthor: Jon LewisPublisher: New York University Press Imprint: New York University Press Dimensions: Width: 15.20cm , Height: 2.60cm , Length: 22.90cm Weight: 0.522kg ISBN: 9780814751435ISBN 10: 0814751431 Pages: 377 Publication Date: 01 September 2002 Audience: Professional and scholarly , Professional & Vocational Replaced By: 9780814751428 Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsWhen it comes to censorship in Hollywood, the bottom line is the ticket line. That's the central message in Jon Lewis's provocative and insightful investigation of the movie industry's history of self-regulation...Lewis shows that Hollywood films are a triumph of commerce over art, and that the film industry has consistently used internal censorship and government-industrial collusion to guarantee that its cash flow is never seriously threatened. -- The New York Times Book Review ...an accomplished, comprehensive, and provocative new history of censorship and the American film industry...And what of the perennial tussles between politicos and the film industry? All show business, suggests Lewis, make-believe veiling the real power structure that has nothing to do with morals, let alone art (it would be interesting to get his take on the recent marketing brouhaha and its relationship to the recent threatened actors and writers strikes). A staggering saga worthy itself of a Hollywood movie, Hollywood v. Hardcore is film history at its most illuminating and intense. --The Boston Phoenix This is a fascinating account, both entertaining and scholarly. --Journal of the West As provocative as his sometimes X-rated subject matter, film scholar Lewis detects an intimate relationship between the seemingly strange bedfellows of mainstream Hollywood cinema and hardcore pornography. From postal inspector Anthony Comstock to virtue maven William Bennett, from the Hays Office that monitored the golden age of Hollywood to the alphabet ratings system that labels the motion pictures in today's multiplex malls, Lewis's wry, informative, and always insightful study of American film censorship demonstrates that the most effective media surveillance happens before you see the movie. Hollywood v. Hard Core is highly recommended for audiences of all ages. --Thomas Doherty, author of Pre-Code Hollywood Jon Lewis weaves a compelling narrative of how box office needs-rather than moral strictures-have dictated the history of film regulation. Telling the complex and fascinating story of how Hollywood abandoned the Production Code and developed the ratings system and then telling the even more compelling story of how the X rating became a desirable marketing device when hard core pornography became popular, Hollywood v. Hard Core reveals a great deal about the true business of censorship. --Linda Williams, author of Hard Core: Power, Pleasure, and the Frenzy of the Visible Lewis shows that Hollywood films are a triumph of commerce over art, and that the film industry has consistently used internal censorship and government-industrial collusion to guarantee that its cash flow is never seriously threatened. As provocative as his sometimes X-rated subject matter, film scholar Lewis detects an intimate relationship between the seemingly strange bedfellows of mainstream Hollywood cinema and hardcore pornography. From postal inspector Anthony Comstock to virtue maven William Bennett, from the Hays Office that monitored the golden age of Hollywood to the alphabet ratings system that labels the motion pictures in today's multiplex malls, Lewis's wry, informative, and always insightful study of American film censorship demonstrates that the most effective media surveillance happens before you see the movie. Hollywood v. Hard Core is highly recommended for audiences of all ages. -Thomas Doherty,author of Pre-Code Hollywood Jon Lewis weaves a compelling narrative of how box office needs-rather than moral strictures-have dictated the history of film regulation. Telling the complex and fascinating story of how Hollywood abandoned the Production Code and developed the ratings system and then telling the even more compelling story of how the X rating became a desirable marketing device when hard core pornography became popular, Hollywood v. Hard Core reveals a great deal about the true business of censorship. -Linda Williams,author of Hard Core: Power, Pleasure, and the Frenzy of the Visible ...an accomplished, comprehensive, and provocative new history of censorship and the American film industry...And what of the perennialtussles between politicos and the film industry? All show business, suggests Lewis, make-believe veiling the real power structure that hasnothing to do with morals, let alone art (it would be interesting to get his take on the recent marketing brouhaha and its relationship tothe recent threatened actors and writers strikes). A staggering saga worthy itself of a Hollywood movie, Hollywood v. Hardcore is filmhistory at its most illuminating and intense. -The Boston Phoenix This is a fascinating account, both entertaining and scholarly. -Journal of the West When it comes to censorship in Hollywood, the bottom line is the ticket line. That's the central message in Jon Lewis's provocativeand insightful investigation of the movie industry's history of self-regulation...Lewis shows that Hollywood films are a triumph ofcommerce over art, and that the film industry has consistently used internal censorship and government-industrial collusion to guaranteethat its cash flow is never seriously threatened. -The New York Times Book Review This is a fascinating account, both entertaining and scholarly. -Journal of the West As provocative as his sometimes X-rated subject matter, film scholar Lewis detects an intimate relationship between the seemingly strange bedfellows of mainstream Hollywood cinema and hardcore pornography. From postal inspector Anthony Comstock to virtue maven William Bennett, from the Hays Office that monitored the golden age of Hollywood to the alphabet ratings system that labels the motion pictures in today's multiplex malls, Lewis's wry, informative, and always insightful study of American film censorship demonstrates that the most effective media surveillance happens before you see the movie. Hollywood v. Hard Core is highly recommended for audiences of all ages. -Thomas Doherty,author of Pre-Code Hollywood ...an accomplished, comprehensive, and provocative new history of censorship and the American film industry...And what of the perennialtussles between politicos and the film industry? All show business, suggests Lewis, make-believe veiling the real power structure that hasnothing to do with morals, let alone art (it would be interesting to get his take on the recent marketing brouhaha and its relationship tothe recent threatened actors and writers strikes). A staggering saga worthy itself of a Hollywood movie, Hollywood v. Hardcore is filmhistory at its most illuminating and intense. -The Boston Phoenix Jon Lewis weaves a compelling narrative of how box office needs-rather than moral strictures-have dictated the history of film regulation. Telling the complex and fascinating story of how Hollywood abandoned the Production Code and developed the ratings system and then telling the even more compelling story of how the X rating became a desirable marketing device when hard core pornography became popular, Hollywood v. Hard Core reveals a great deal about the true business of censorship. -Linda Williams,author of Hard Core: Power, Pleasure, and the Frenzy of the Visible When it comes to censorship in Hollywood, the bottom line is the ticket line. That's the central message in Jon Lewis's provocativeand insightful investigation of the movie industry's history of self-regulation...Lewis shows that Hollywood films are a triumph ofcommerce over art, and that the film industry has consistently used internal censorship and government-industrial collusion to guaranteethat its cash flow is never seriously threatened. -The New York Times Book Review Author InformationJon Lewis is Professor of English at Oregon State University where he has taught film and cultural studies since 1983. His books include Whom God Wishes to Destroy . . . Francis Coppola and the New Hollywood, The Road to Romance and Ruin: Teen Films and Youth Culture, and (as editor) The New American Cinema. Tab Content 6Author Website:Countries AvailableAll regions |