Hollywood Lighting from the Silent Era to Film Noir

Awards:   Winner of Best First Book 2011
Author:   Patrick Keating (Assistant Professor, Trinity University)
Publisher:   Columbia University Press
ISBN:  

9780231149037


Pages:   312
Publication Date:   15 December 2009
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Our Price $59.95 Quantity:  
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Hollywood Lighting from the Silent Era to Film Noir


Awards

  • Winner of Best First Book 2011

Overview

Lighting performs essential functions in Hollywood films, enhancing the glamour, clarifying the action, and intensifying the mood. Examining every facet of this understated art form, from the glowing backlights of the silent period to the shaded alleys of film noir, Patrick Keating affirms the role of Hollywood lighting as a distinct, compositional force. Closely analyzing Girl Shy (1924), Anna Karenina (1935), Only Angels Have Wings (1939), and T-Men (1947), along with other brilliant classics, Keating describes the unique problems posed by these films and the innovative ways cinematographers handled the challenge. Once dismissed as crank-turning laborers, these early cinematographers became skillful professional artists by carefully balancing the competing demands of story, studio, and star. Enhanced by more than one hundred illustrations, this volume counters the notion that style took a backseat to storytelling in Hollywood film, proving that the lighting practices of the studio era were anything but neutral, uniform, and invisible. Cinematographers were masters of multifunctionality and negotiation, honing their craft to achieve not only realistic fantasy but also pictorial artistry.

Full Product Details

Author:   Patrick Keating (Assistant Professor, Trinity University)
Publisher:   Columbia University Press
Imprint:   Columbia University Press
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.440kg
ISBN:  

9780231149037


ISBN 10:   0231149034
Pages:   312
Publication Date:   15 December 2009
Audience:   Adult education ,  Professional and scholarly ,  Further / Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.
Language:   English

Table of Contents

Acknowledgments Introduction: The Rhetoric of Light Part I: Lighting in the Silent Period 1. Mechanics or Artists? 2. From the Portrait to the Close-Up 3. The Drama of Light 4. Organizing the Image Part II: Classical Hollywood Lighting 5. Inventing the Observer 6. Conventions and Functions 7. The Art of Balance Part III: Shifting Patterns of Shadow 8. The Promises and Problems of Technicolor 9. The Flow of the River 10. Film Noir and the Limits of Classicism Conclusion: Epilogue Notes Index

Reviews

Hollywood Lighting from the Silent Era to Film Noir should be considered essential reading by all film students and aspiring directors. Midwest Book Review 2/1/10 This readable book provides welcome profiles of eminent cinematographers... and valuable research on the American Society of Cinematographers... Highly recommended. Choice 7/1/10 This book taught my students and me to watch films in a new way. -- Karla Oeler Film Quarterly 12/1/2011


Hollywood Lighting from the Silent Era to Film Noir should be considered essential reading by all film students and aspiring directors. -- Midwest Book Review This readable book provides welcome profiles of eminent cinematographers... and valuable research on the American Society of Cinematographers... Highly recommended. -- Choice


Hollywood Lighting from the Silent Era to Film Noir should be considered essential reading by all film students and aspiring directors. Midwest Book Review 2/1/10 This readable book provides welcome profiles of eminent cinematographers... and valuable research on the American Society of Cinematographers... Highly recommended. Choice 7/1/10


Author Information

Patrick Keating is an assistant professor in the Department of Communication at Trinity University, where he teaches courses in film and media studies.

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