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OverviewFull Product DetailsAuthor: Professor James Russell (De Montfort University, UK) , Jim Whalley (De Montfort University, UK)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Weight: 0.467kg ISBN: 9781501353901ISBN 10: 150135390 Pages: 352 Publication Date: 27 June 2019 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Images List of Figures Acknowledgements Introduction Part 1. Childhood Chapter One:Hollywood and the Baby Boom in the 1950s Chapter Two: Watching Movies Chapter Three: On the Screen Part 2: Youth Chapter Four: A Changing Audience Chapter Five: Movies and Youth Revolt Chapter Six: Towards the Modern Blockbuster Part 3: Success Chapter Seven: Boomer Filmmakers Chapter Eight: Popular Genres and Popular Movies Part 4: Maturity Chapter Nine: Mature Movies Chapter Ten: Families Forever Part 5: Legacy Chapter Eleven: Franchise Hollywood Conclusion. A Legacy Appendix A: The Survey Appendix B:MPAA Age Demographics BibliographyReviewsDrawing on a unique blend of primary sources (archival records, trade press reports, interviews with filmmakers and an online audience survey as well as a large number of films), this groundbreaking study offers a fresh account of the development of mainstream American cinema since the Second World War. Hollywood and the Baby Boom focuses on the impact, on cinemagoing and film production, of dramatically increased birth rates in the United States between the mid-1940s and the mid-1960s. The complex interaction between film industry strategies and generational turnover both in the audience and among Hollywood personnel is vividly brought to life by looking closely at some of the creative personnel shaping movies and at the experiences of a wide range of viewers. Thus, this engagingly written book has a lot to say about the important role that movies have played, and continue to play, in the lives of American baby boomers. * Peter Kramer, author of The New Hollywood: From Bonnie and Clyde to Star Wars (2005) * Meticulously researched and engagingly written, Hollywood and the Baby Boom offers an insightful account of the post war generation's profound impact on American cinema. Drawing on a range ofprimary sources - from archival materials to filmmaker interviews and audience surveys - James Russell and Jim Whalley provide fresh perspective on how baby boomers have influenced Hollywood's creative and executive decisions over the past fifty years. In doing so, they not only challenge common assumptions regarding the boomers' political and aesthetic tastes, but also force us to rethink standard historical narratives associated with contemporary Hollywood cinema. * Oliver Gruner, Senior Lecturer in Visual Culture, University of Portsmouth, UK and author of Screening the Sixties: Hollywood Cinema and the Politics of Memory * Several film histories mention the baby boom and its impact on American cinema but none can claim to have examined it with the force, insight and detail of this wonderful new volume. Russell and Whalley navigate deftly through the annals of the last 70 years of Hollywood film history, which they re-read and re-write through the prism of new and exciting research materials, including interviews with filmmakers whose work has influenced that history. Hollywood and the Baby Boom reaches deep into the baby boom experience as this has shaped American cinema and as it was reflected in it, while also managing to present a complex and intricate historical account in a fresh, exciting and accessible manner. A real achievement! * Yannis Tzioumakis, Reader in Film and Media Industries, University of Liverpool, UK and author of American Independent Cinema (2017) * In this excellent contribution to film studies, Russell and Whalley demonstrate how the effects of the baby boom are crucial to the reception and production of post-war American films. By combining historical perspectives and first person interviews, Hollywood and the Baby Boom challenges long-established histories of American cinema. This is an important text in developing the field that will have will have impact and influence beyond film studies, contributing valuable scholarship to American social history. * Claire Jenkins, Lecturer in Film and Television Studies, University of Leicester, UK * Drawing on a unique blend of primary sources (archival records, trade press reports, interviews with filmmakers and an online audience survey as well as a large number of films), this groundbreaking study offers a fresh account of the development of mainstream American cinema since the Second World War. Hollywood and the Baby Boom focuses on the impact, on cinemagoing and film production, of dramatically increased birth rates in the United States between the mid-1940s and the mid-1960s. The complex interaction between film industry strategies and generational turnover both in the audience and among Hollywood personnel is vividly brought to life by looking closely at some of the creative personnel shaping movies and at the experiences of a wide range of viewers. Thus, this engagingly written book has a lot to say about the important role that movies have played, and continue to play, in the lives of American baby boomers. * Peter Krämer, author of The New Hollywood: From Bonnie and Clyde to Star Wars (2005) * Meticulously researched and engagingly written, Hollywood and the Baby Boom offers an insightful account of the post war generation’s profound impact on American cinema. Drawing on a range ofprimary sources – from archival materials to filmmaker interviews and audience surveys – James Russell and Jim Whalley provide fresh perspective on how baby boomers have influenced Hollywood’s creative and executive decisions over the past fifty years. In doing so, they not only challenge common assumptions regarding the boomers’ political and aesthetic tastes, but also force us to rethink standard historical narratives associated with contemporary Hollywood cinema. * Oliver Gruner, Senior Lecturer in Visual Culture, University of Portsmouth, UK and author of Screening the Sixties: Hollywood Cinema and the Politics of Memory * Several film histories mention the baby boom and its impact on American cinema but none can claim to have examined it with the force, insight and detail of this wonderful new volume. Russell and Whalley navigate deftly through the annals of the last 70 years of Hollywood film history, which they re-read and re-write through the prism of new and exciting research materials, including interviews with filmmakers whose work has influenced that history. Hollywood and the Baby Boom reaches deep into the baby boom experience as this has shaped American cinema and as it was reflected in it, while also managing to present a complex and intricate historical account in a fresh, exciting and accessible manner. A real achievement! * Yannis Tzioumakis, Reader in Film and Media Industries, University of Liverpool, UK and author of American Independent Cinema (2017) * In this excellent contribution to film studies, Russell and Whalley demonstrate how the effects of the baby boom are crucial to the reception and production of post-war American films. By combining historical perspectives and first person interviews, Hollywood and the Baby Boom challenges long-established histories of American cinema. This is an important text in developing the field that will have will have impact and influence beyond film studies, contributing valuable scholarship to American social history. * Claire Jenkins, Lecturer in Film and Television Studies, University of Leicester, UK * Author InformationJames Russell is Principal Lecturer in Film Studies at De Montfort University, UK. His last book was The Historical Epic and Contemporary Hollywood (Bloomsbury, 2007). His short writing has appeared in Cinema Journal, the Journal of American Studies, the Guardian and numerous edited collections. Jim Whalley is an independent scholar based in the UK. He writes on American cinema history, and is the author of Saturday Night Live, Hollywood Comedy and American Culture (2010). His short writing has also appeared in The New Review of Film and Television Studies. Tab Content 6Author Website:Countries AvailableAll regions |