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9781920033668

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'This is an important book that defines the master trope of Africa as the Dark Continent, to show its work in the past and that this mythos is still alive and well in contemporary Hollywood films about Africa[...] Even as it uncovers the continuing Dark Continent motifs, the book also reveals how these films engage contemporary celebrity, military, economic, and political cultures in the development of a neocolonial aesthetic.' - Robert T. Self, English Professor Emeritus, Liberal Arts and Sciences Distinguished Professor, Northern Illinois University, USA

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Okaka Opio Dokotum is an associate professor of literature and film and deputy vice-chancellor (Academic Affairs) at Lira University in Uganda. An eclectic multidisciplinary researcher, Dokotum has published extensively in the fields of literature-film adaptation theory, trauma cinema and aesthetics, performative poetics, music video aesthetics, visual history, heritage studies and Ugandan literature. He is a playwright, poet and filmmaker, and has adapted his play Wek Abonyo Kwani ['Let Abonyo Study'] (2003) into the first feature film in Lëblango/Lwo. Four of his plays and a poetry anthology in Lёblango are taught at secondary school and university levels in Uganda. He is a columnist for Rupiny, a Ugandan Lwo weekly, and serves on the jury of the Uganda Film Festival.

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