Overview

'Always up close and personal, always tenacious and informed by deep background, and always vivid and veracious' - The Times The greatest popular songs, whether it's Aretha Franklin singing 'Respect' or Bob Dylan performing 'Blind Willie McTell', have a way of embedding themselves in our memories. You remember a time and a place and a feeling when you hear that song again. In Holding the Note, David Remnick, the Pulitzer Prize-winnning journalist and editor of The New Yorker, writes about the lives and work of some of the greatest musicians, songwriters, and performers of the past fifty years. He portrays a series of musical lives - Leonard Cohen, Buddy Guy, Mavis Staples, Paul McCartney, Bruce Springsteen, Patti Smith, and more - and their unique encounters with the passing of that essential element of music: time. These are intimate portraits of some of the greatest creative minds of our time written with a lifetime's passionate attachment to music that has shaped us all.

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9781035023974

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Reviews

Always up close and personal, always tenacious and informed by deep background, and always vivid and veracious * The Times * [Remnick] has a strong, muscular unpretentious style and a restless curiosity that enables him to write as well about literature and politics as he does about boxing * New Statesman * This collection of articles by David Remnick can stand as literature. ... He treats the reader as an informed, intelligent equal * The New York Times * Remnick, the editor of The New Yorker magazine and a gifted writer, is almost alarmingly assiduous * Telegraph * Lenin's Tomb is an extraordinary confluence of observation, hard work, knowledge and reflection; a better book by a journalist on the withdrawing roar of the Soviet Union is hard to imagine. * New York Times *

Remarkable, not just for the essays' expertise and vividness, but for the aeons he spends talking to his subjects and those around them * Observer * This collection of articles by David Remnick can stand as literature. ... He treats the reader as an informed, intelligent equal * The New York Times * Always up close and personal, always tenacious and informed by deep background, and always vivid and veracious * The Times * [A] standout collection of pieces . . . What’s most remarkable is [Remnick's] ability to give due at once to the artists’ larger-than-life musical legacies and their all too human fallibilities * Publishers Weekly * Written over the past three decades, these are keenly observed, deeply felt, and judiciously detailed encounters of genuine communion mixing interviews, biography, and analysis, all lyrically and radiantly composed . . . There is acuity here, bemusement, tenderness, and gratitude -- Donna Seaman * Booklist * Remnick, the intellectually nimble editor of the New Yorker, has lately been focusing closely on world politics, but he finds time to profile a number of artists who, having enjoyed early success, ‘were all grappling, in music and in their own lives, with their diminishing gifts and mortality.’. . . There’s dish here . . . and plenty of astute observation . . . A perceptive pleasure for literate music lovers * Kirkus Reviews *

Author Information

David Remnick has been the editor of The New Yorker since 1998. He was a staff writer for the magazine from 1992 to 1998 and, previous to that, the Washington Post's correspondent in the Soviet Union. He won a Pulitzer Prize in 1994 for his book Lenin's Tomb: The Last Days of the Soviet Empire. He lives in New York City with his wife and children.

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