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OverviewFull Product DetailsAuthor: Alexandra BirchPublisher: University of Toronto Press Imprint: University of Toronto Press Dimensions: Width: 15.20cm , Height: 1.30cm , Length: 22.90cm Weight: 0.320kg ISBN: 9781487549206ISBN 10: 1487549202 Pages: 232 Publication Date: 25 March 2025 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Available To Order We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsList of Illustrations Acknowledgments Introduction: Prelude 1. Das Reichgold 2. Donner und Blitzkrieg 3. A Blood-Oath to the Reich: Musical Sadism and the Holocaust in the USSR 4. Treblinka: A Forest Portal to Hell 5. Valhalla Burns: Music and the Teutonic Delusions of the Nazi Command in the Final Days of the Second World War 6. Trauermusik Epilogue: Das Erlösungsmotiv Notes Bibliography IndexReviews“Eloquently researched and written, Hitler’s Twilight of the Gods intricately intertwines Wagner’s Ring with the grim realities of musical life under the Nazi regime. This illuminating work explores music as both a weapon of destruction and a means of resistance during the Holocaust, tracing its journey from Germany to Russia. The book is a profound contribution to the study of music, history, and humanity.” -- Tina Frühauf, Director of the Barry S. Brook Center for Music Research and Documentation, CUNY Graduate Center “Hitler’s Twilight of the Gods is a well-researched piece of scholarship that draws on many valuable primary sources, including testimonies, along with a thorough body of research that spans each decade of the twentieth century and the first two decades of the current century. Alexandra Birch reminds readers of the complex and multifaceted nature of Holocaust historicism and experience. The book cautions against painting all experiences with a broad brush, stressing that much more nuance and differentiation are required.” -- Kellie D. Brown, Professor of Music, Milligan University Author InformationAlexandra Birch is the Mellon Postdoctoral Teaching Fellow at the Harriman Institute at Columbia University. Tab Content 6Author Website:Countries AvailableAll regions |
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