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OverviewThis new issue of the Hitchcock Annual contains studies of Hitchcock and theater, Hitchcock's atheology, and the filmmaker's influence on the stalker genre. It features analyses of Rear Window and Gus Van Sant's shot-by-shot remake of Psycho, a dossier of To Catch a Thief, and an early essay by Hitchcock himself. The Hitchcock Annual will be published every spring, beginning in 2011 with Volume 17. Full Product DetailsAuthor: Sidney Gottlieb (Co-Editor, Hitchcock Annual) , Richard AllenPublisher: Columbia University Press Imprint: Columbia University Press Dimensions: Width: 15.20cm , Height: 1.30cm , Length: 22.90cm Weight: 0.261kg ISBN: 9780231156493ISBN 10: 0231156499 Pages: 178 Publication Date: 11 October 2010 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Language: English Table of ContentsHitchcock in 1928: The Auteur as Autocrat An Autocrat of the Film Studio, by Alfred Hitchcock A Perfect Place to Die? The Theatre in Hitchcock Revisited Reflections on the Making of To Catch a Thief: Andre Bazin, Sylvette Baudrot, Grace Kelly, Charles Vanel, and Brigitte Auber What We Don't See, and What We Think It Means: Ellipsis and Occlusion in Rear Window The Destruction That Wasteth at Noonday: Hitchcock's Atheology Gus Van Sant's Mirror-Image of Hitchcock: Reading Psycho Backwards Hitchcock, Unreliable Narration, and the Stalker FilmReviewsAuthor InformationSidney Gottlieb is professor of communication and media arts at Sacred Heart University, Fairfield, CT. Tab Content 6Author Website:Countries AvailableAll regions |
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