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Dorinda Neave is a senior lecturer in Art History at Capilano University, North Vancouver, Canada. Dorinda received a B.A. from Manchester University U.K. and a post-graduate certificate in Education from Keele University, U.K. before completing an M.A at the University of Victoria, Canada. She currently teaches courses in visual culture and Asian art at Capilano University. Her research interests include contemporary Japanese performance art and women in Japanese art as artists, patrons and subjects. Neave’s articles have been published in a variety of journals such as Art Journal and Woman’s Art Journal. She has traveled widely throughout Japan and in 2009 was a summer visiting scholar at Nichibunken (International Research Centre for Japanese Studies) in Kyoto.   Lara C. W. Blanchard is Luce Associate Professor of East Asian Art at Hobart and William Smith Colleges, Geneva, New York, where she teaches courses in art history, Asian studies, and women’s studies. She received a B.A. from the College of William & Mary and an M.A. and Ph.D. from the University of Michigan at Ann Arbor. Her research interests focus on Chinese pictorial arts, especially of the Song through Ming dynasties (960-1644) and the contemporary era, and include women as artists and patrons, the construction of gender, text-image relationships, and theories of representation. Her articles have appeared in journals such as Ars Orientalis and Nan Nü: Men, Women and Gender in China. She has traveled throughout mainland China and studied Chinese art, language, and calligraphy in Taipei.   Marika Sardar is Associate Curator of Southern Asian and Islamic Art at The San Diego Museum of Art. Marika studied at the Institute of Fine Arts, NYU where she completed a doctoral dissertation on the architecture of Golconda, a fortified city in the Deccan, India. She has also worked in the Department of Islamic Art at the Metropolitan Museum of Art, New York, and her research has embraced architecture, archaeology, painting, textiles, and trade. Publications include essays in several books about the Deccan and in the catalogue The Interwoven Globe: Worldwide Textile Trade, 1500–1800 (2013). She was co-editor of Sultans of the South: Arts of India’s Deccan Courts, 1323-1687 (2011).

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