Overview

For centuries, the fashion industry has struggled to reconcile style with sustainability. In Historical Perspectives on Sustainable Fashion, you will be transported back in time to discover the historical dimensions of today’s sustainable fashion movement. An array of success stories and cautionary tales provide both inspiration and warnings for the eco-conscious designer, encouraging an innovative approach that builds on predecessors’ discoveries to move the practice of fashion forward. The 1st edition, Sustainable Fashion: Past, Present and Future, emerged from the Museum at FIT’s groundbreaking exhibition ‘Eco-Fashion: Going Green’. This revised edition broadens perspectives even further, incorporating eye-opening examples of designers, brands and activists working for change across the world today. Likewise, a new chapter examines the globalized mainstream fashion system and historical alternatives that provide compelling inspiration for reimagining the status quo. Fascinating and timely, Historical Perspectives on Sustainable Fashion examines progressive fashion through a historical lens, encouraging readers to question the state of the industry and demonstrating the value of historical insights in enabling and inspiring change.

Full Product Details

Author:   Dr Amy Twigger Holroyd (Research Fellow, Nottingham Trent University, UK) ,  Jennifer Farley Gordon (Iowa State University, USA) ,  Colleen Hill (The Museum at FIT, USA)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Visual Arts
Edition:   2nd edition
ISBN:  

9781350160446

ISBN 10:   135016044
Pages:   216
Publication Date:   09 February 2023
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction 1. Materials and processes Materials and processes: how did we get here? The development of cotton Wool and its competitors Silk and rayon Synthetic fibers Unconventional materials The invention of synthetic dyes Human impacts of dyeing Environmental impacts of dyeing Materials and processes: inspiration for change Organic cotton The resurgence of wool Hemp and flax Lyocell and bamboo Lower impact dyes Natural dyes Materials and processes: thinking critically Materials and processes: further reading 2. Design and Manufacture Design and manufacture: how did we get here? Clothing production before mechanization Advancements in spinning and weaving The sewing machine and ready-made clothing Choice and disposability Design and manufacture: inspiration for change Wartime restrictions and quality Post-war couture Artisanal techniques and slow fashion5 Design features Design and manufacture: thinking critically Design and manufacture: further reading 3. Reuse and Recycling Reuse and recycling: how did we get here? Repurposing practices Shawls and scraps The Great Depression and the Second World War Shoddy recycling Reuse and recycling: inspiration for change Post-war repurposing The rise of vintage Repurposing and upcycling in the 1990s and 2000 A new era of fiber recycling Reuse and recycling: thinking critically Reuse and recycling: further reading 4. Labor Practices Labor practices: how did we get here? Textile mills Child labor Garment factories Globalization and sweatshops Subcontracting and safety Labor practices: inspiration for change Unionization Labeling Designer-led action Labor rights in a globalized industry Cooperatives and fair trade Labor practices: thinking critically Labor practices: further reading 5. Treatment of Animals Treatment of animals: how did we get here? Feather adornments The use of fur Trapping and farming Treatment of animals: inspiration for change Anti-feather campaigns Anti-fur campaigns Fake and “ethical” fur Treatment of animals: thinking critically Treatment of animals: further reading 6. Fashion systems Fashion systems: how did we get here? Enclosure, capitalism and modernity The European fashion system and the Industrial Revolution Consumerism and change Fashion systems: inspiration for change How clothes are used New approaches to dressing the body Challenging social norms Domestic and custom making Local production and local distinctiveness Restricting and managing production Fashion systems: thinking critically Fashion systems: further reading Conclusion Notes Select bibliography Glossary Index

Reviews

Succeeds in bringing together many of the themes and ideas around ethical fashion. (1st edition) -- Costume I have really valued this book since it was first published. It is well-written and accessible, but most importantly, through giving the historical perspectives, it shows the antecedents of the issues plaguing fashion now. -- Alice Payne, Queensland University of Technology, Australia The book is aimed at fashion students - its layout, photographs and pitch make it a successful academic text. It is a springboard from which they are invited to delve deeper into the subject. (1st edition) -- Hayley Mildren * Resource * The ecological issues of the present day are pressing and we do not have all the answers. By looking to the lessons of history, fashion designers, manufacturers, consumers and resistors can each gain a deeper understanding of how we got to where we are today, and how we might use past practices as a departure point for radical change and as a sourcebook of inspirational methods to refresh present-day thinking. Through a clear structure, covering Materials and Process, Design and Manufacture, Reuse and Recycling, Labour Practices, and Treatment of Animals, the authors construct a usable past of origin stories and contemporary parallels in the production and consumption of clothing. The historical research sits alongside museum examples of surviving garments, while the contemporary debates engage with the latest arguments and the freshest responses to the urgent need to do fashion differently. By the close of the final chapter, which looks at fashion systems in the round, and encourages imaginative and speculative thinking, readers will be inspired to take up history's gauntlet and find new solutions to fashion's enduring problems. - Annebella Pollen, Professor of Visual and Material Culture, University of Brighton, UK

Succeeds in bringing together many of the themes and ideas around ethical fashion. (1st edition) -- Costume

Author Information

Amy Twigger Holroyd is Associate Professor of Fashion and Sustainability in the School of Art & Design at Nottingham Trent University, UK. Jennifer Farley Gordon is an affiliate faculty member in the Apparel, Events & Hospitality Management department at Iowa State University, USA. She is also an independent researcher, writer, and curator, and formerly worked as an assistant curator at The Museum at the Fashion Institute of Technology (MFIT) in New York, USA. Colleen Hill is Curator of Costume and Accessories at the Museum at FIT in New York, USA.

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