Hip Hop Underground: The Integrity and Ethics of Racial Identification

Author:   Anthony Kwame Harrison
Publisher:   Temple University Press,U.S.
ISBN:  

9781439900604


Pages:   226
Publication Date:   15 August 2009
Format:   Hardback
Availability:   In Print   Availability explained
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Hip Hop Underground: The Integrity and Ethics of Racial Identification


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Overview

Race and authenticity in America, explored through the Bay Area's multiracial underground hip hop scene

Full Product Details

Author:   Anthony Kwame Harrison
Publisher:   Temple University Press,U.S.
Imprint:   Temple University Press,U.S.
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.476kg
ISBN:  

9781439900604


ISBN 10:   1439900604
Pages:   226
Publication Date:   15 August 2009
Audience:   Adult education ,  Further / Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Introduction: A Walk in the Park  1. Race in America and Underground Hip Hop in the Bay  2. Experiencing the Bay  3. Claiming Hip Hop: Race and the Ethics of Underground Hip Hop Participation  4. The Re- vision and Continued Salience of Race  5. (Re)Mixed Messages  Notes  References  Index

Reviews

Hip Hop Underground, the first book-length ethnographic study of hip hop, takes the reader inside the world of hip hop culture in a way that no other book really has. Harrison clearly elucidates the relationship between hip hop culture, demographic change and ethnic/racial identities/relations, offering along the way one of the most masterful syntheses of existing hip hop literatures. Rigorous, yet highly engaging and enjoyable, it fills a significant gap in the literature. Andy Bennett, Professor in Cultural Sociology, Griffith University, Australia and author of Popular Music and Youth Culture: Music, Identity and Place This is old-fashioned ethnography in the best sense: an ethnographer intimately familiar with the literature and the culture... Harrison's analysis is nuanced and compelling... An important, well-written work in hip-hop and ethnic studies scholarship. - CHOICE [I]t is an excellent read for those interested in hip hop, ethnographic methodology, and racial studies. - Contemporary Sociology, March 2011


Hip Hop Underground, the first book-length ethnographic study of hip hop, takes the reader inside the world of hip hop culture in a way that no other book really has. Harrison clearly elucidates the relationship between hip hop culture, demographic change and ethnic/racial identities/relations, offering along the way one of the most masterful syntheses of existing hip hop literatures. Rigorous, yet highly engaging and enjoyable, it fills a significant gap in the literature. -Andy Bennett, Professor in Cultural Sociology, Griffith University, Australia, and author of Popular Music and Youth Culture: Music, Identity and Place


Hip Hop Underground, the first book-length ethnographic study of hip hop, takes the reader inside the world of hip hop culture in a way that no other book really has. Harrison clearly elucidates the relationship between hip hop culture, demographic change and ethnic/racial identities/relations, offering along the way one of the most masterful syntheses of existing hip hop literatures. Rigorous, yet highly engaging and enjoyable, it fills a significant gap in the literature. Andy Bennett, Professor in Cultural Sociology, Griffith University, Australia and author of Popular Music and Youth Culture: Music, Identity and Place This is old-fashioned ethnography in the best sense: an ethnographer intimately familiar with the literature and the culture... Harrison's analysis is nuanced and compelling... An important, well-written work in hip-hop and ethnic studies scholarship. - CHOICE


Author Information

Anthony Kwame Harrison holds a Ph.D. in Anthropology from the Maxwell School of Citizenship and Public Affairs at Syracuse University. He is Assistant Professor in the Department of Sociology/Program in Africana Studies at Virginia Polytechnic Institute and State University. He is an Associate Editor for the Journal of Popular Music Studies.

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