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OverviewIndian classical music has long been fascinating to Western audiences, most prominently since the Beatles' sessions with Ravi Shankar in the 1960s. This fascination with the musical genre still prevails in the twenty-first century. Hindi Poetry in a Musical Genre examines Thumri Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective. On a cultural level, it discusses the interface between devotional and secular poetry. Furthermore, it explains the impact of social and political change on the musical life on North India. Well-written and thoroughly researched, this book is a valuable contribution to the field of South Asian studies. It will be interesting to academics across the discipline, including linguistics, politics, sociology, cultural and gender studies. Full Product DetailsAuthor: Lalita du Perron (University of Wisconsin - Madison, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.60cm , Height: 2.00cm , Length: 23.40cm Weight: 0.630kg ISBN: 9780415394468ISBN 10: 0415394465 Pages: 256 Publication Date: 13 February 2007 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"1. Introduction 2. ""I Get No Peace"": The Female Voice in Thumri 3. Pining & Pranking: The Themes of Thumri 4. Courtesans & Patrons: The Context of Thumri 5. ""My Little Bed is Empty"": The Language of Thumri 6. Rhyme & Metre: The Form of Thumri 7. Genre, Authenticity, and Tradition 8. Conclusion. Main Corpus"ReviewsI approached this study with high expectations and am glad to say that my anticipations were not disappointed... The main corpus of texts makes this book eminently useful not only for academics but also for dancers and singers, for whom such wonderful material is not easily available. A glossary, useful notes, a bibliography and a decent index complete this fine book. Nilima Devi, Centre for Indian Classical Dance, Leicester; South Asia Research Vol. 28:3 (November 2008) I approached this study with high expectations and am glad to say that my anticipations were not disappointed... The main corpus of texts makes this book eminently useful not only for academics but also for dancers and singers, for whom such wonderful material is not easily available. A glossary, useful notes, a bibliography and a decent index complete this fine book. Nilima Devi, Centre for Indian Classical Dance, Leicester; South Asia Research Vol. 28:3 (November 2008) Author InformationLalita du Perron received her PhD from SOAS, University of London. She is currently a Research Fellow at the Department of Music, SOAS, and she specialises in music and poetry of the classics of Hindustani music 1903-75. Tab Content 6Author Website:Countries AvailableAll regions |