|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Belinda Wheeler (Associate Professor of English, Claflin University) , Louis J. Parascandola (Professor of English, Long Island University)Publisher: Pennsylvania State University Press Imprint: Pennsylvania State University Press Dimensions: Width: 15.20cm , Height: 1.90cm , Length: 22.90cm Weight: 0.363kg ISBN: 9780271080970ISBN 10: 0271080973 Pages: 272 Publication Date: 15 May 2018 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsContents Foreword by Maureen Honey Acknowledgments Note on the Text Bennett Timeline Introduction Published Work Poetry Introduction Nocturne (1923) Heritage (1923) To Usward (1924) Song (1925) Street Lamps in Early Spring (1926) Hatred (1926) Lines Written at the Grave of Alexander Dumas (1926) Moon Tonight (1926) Dear Things (1926) Advice (1927) Fantasy (1927) Quatrains (1927) Secret (1927) To a Dark Girl (1927) Epitaph (1934) Art Introduction Painting Untitled [River Landscape] (1931) Magazine Covers Pipes of Pan (March 1924) Untitled (January 1926) Untitled (July 1926) Short Stories Introduction Wedding Day (1926) Tokens (1927) Editorials Introduction The Ebony Flute (August 1926) The Ebony Flute (April 1927) The Ebony Flute (July 1927) The Ebony Flute (September 1927) The Ebony Flute (April 1928) Reviews Introduction Heartbreak and North Carolina Sunshine: The Lonesome Road- by Paul Green (1926) Blue-Black Symphony: Home to Harlem, by Claude McKay (1928) Banjo, by Claude McKay (1929) Plum-Bun, by Jessie Redmon Fauset (1929) The Emperors Jones (1930) Cultural and Social Articles Introduction The Future of the Negro in Art (1924) The American Negro Paints (1928) The Plight of the Negro Is Tragic (1934) I Go to Camp (1934) The Harlem Artists Guild (1937) Unpublished Work Poetry Introduction Two Poems (1925) Thin Laughter (1928) Train Monotony (1928) Dirge for a Free Spirit (1933) Fulfillment (1935) 000 [Give me your hand, beloved] (1935) I Build America (1938) Sweat (1938) Wise Guys (1938) The Hungry Ones (1938) Threnody for Spain (1939) [Across a room when other ones are there] (n.d.) [Rapacious women who sit on steps at night] (n.d.) [So this is how it is] (n.d.) Unfinished Novel Introduction Chapter Outline for the Unfinished Novel The Call (n.d.) Excerpts from The Call (1928-1932) Essays Introduction My Father's Story (n.d.) [Ward Place] (1941) Lancaster, Pa. (n.d.) Let's Go: In Gay Paree! (n.d.) 25 (n.d.) [Life as a Javanese] (n.d.) [Ku Klux Klan Rides] (n.d.) Last Night I Nearly Killed My Husband! (n.d.) [Harlem Reflection] (n.d.) Diaries Introduction France June 26, 1925 July 26, 1925 August 2, [1925] August 8, [1925] September 27, [19]25 September 28, 1925 April 29, 1926 United States [April 7,] 1936 April 8, 1936 April 9, 1936 April 18, 1936 May 7, 1936 January 3, 1937 June 19, 1985 January 3, 1937 June 19, 1958 Correspondence Introduction Literary Friends To W. E. B. Du Bois (January 19, 1925) To Countee Cullen (August 28, 1925) To Langston Hughes (December 2, 1925) To Countee Cullen (January 14, 1926) To Harold Jackman (February 23, 1926) To Langston Hughes (1926) To Claude McKay (February 25, 1937) To James Weldon Johnson (January 4, 1938) To Alain Locke (May 11, 1939) To Richard Wright (March 3, 1940) To Alain Locke (November 30, 1941) To Langston Hughes (May 13, 1942) Family and Associates To Joshua Bennett and Marechal Neil Bennett (January 5, 1925) To Marechal Neil Bennett (March 24, 1925) To Joshua Bennett (May 17, 1925) To Marechal Neil Bennett (July 27, 1928) To James Vernon Herring (September 9, 1937) To Mayme (Abernathy) Pizarro (August 31, 1938) To Flora Dugan (October 6, 1947) To Everyone (September 27, 1968) Notes Bibliography IndexReviewsWheeler and Parascandola have done a great service in finding and gathering work by Bennett, an important writer, editor, and artist who has received much less attention than she deserves. --C. A. Bily, Choice This superbly edited collection will introduce many readers to a more versatile and accomplished Gwendolyn Bennett than they have known before. It includes the unpublished political poetry that extends her range and impact, making her a key figure of the 1930s. --Cary Nelson, author of Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910-1945 This superbly edited collection will introduce many readers to a more versatile and accomplished Gwendolyn Bennett than they have known before. It includes the unpublished political poetry that extends her range and impact, making her a key figure of the 1930s. --Cary Nelson, author of Repression and Recovery: Modern American Poetry and the Politics of Cultural Memory, 1910-1945 Author InformationBelinda Wheeler is Associate Professor of English at Claflin University and the editor of several books, most recently A Companion to Australian Aboriginal Literature. Louis J. Parascandola is Professor of English at Long Island University, Brooklyn, and the editor of several books, most recently Amy Jacques Garvey: Selected Writings from the Negro World, 1923–1928. Tab Content 6Author Website:Countries AvailableAll regions |