Awards
- Winner of William M. B. Berger Prize for British Art History 2008
- Winner of William M. B. Berger Prize for British Art History 2008.
Overview
Luxurious, beautiful, and portable, tapestry was the pre-eminent art form of the Tudor court. Henry VIII amassed an unrivaled collection over the course of his reign, and the author weaves the history of this magnificent collection into the life of its owner with an engaging narrative style. Now largely dispersed or destroyed, Henry's extensive inventory is here reassembled and reveals how, through tapestry, Henry identified himself with historic, religious, and mythological figures, putting England in dialogue-and competition-with the leading courts of Early Modern Europe while promoting his own religious and political agendas at home. Campbell's original account sheds new light on Tudor political and artistic culture and the court's response to Renaissance aesthetic ideals. Sumptuously illustrated with newly commissioned photographs, this stunning re-creation of Europe's greatest tapestry collection challenges the predominantly text-driven histories of the period and offers a fascinating new perspective on the life of Henry VIII.
Full Product Details
Author: Thomas P. Campbell
Publisher: Yale University Press
Imprint: Yale University Press
Dimensions:
Width: 21.60cm
, Height: 0.40cm
, Length: 27.90cm
Weight: 2.495kg
ISBN: 9780300122343
ISBN 10: 0300122349
Pages: 440
Publication Date: 15 September 2007
Audience:
General/trade
,
Adult education
,
General
,
Further / Higher Education
Format: Hardback
Publisher's Status: Active
Availability: Available To Order
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Reviews
"""This thoroughly researched study provides a welcome infusion of scholarly rigor into a field that has suffered from a bias toward fine arts at the expense of decorative arts. An important contribution to scholarship, it is among the best in its genre. . . . Essential.""—Choice * Choice *"
This thoroughly researched study provides a welcome infusion of scholarly rigor into a field that has suffered from a bias toward fine arts at the expense of decorative arts. An important contribution to scholarship, it is among the best in its genre. . . . Essential. -Choice
Author Information
Thomas P. Campbell is Curator in the Department of European Sculpture and Decorative Arts and Supervising Curator of the Antonio Ratti Textile Center at The Metropolitan Museum of Art. He is the principal author of Tapestry in the Renaissance: Art and Magnificence (2002) and editor of Tapestry in the Baroque: Threads of Splendor (see page 29).
