Awards

• Winner of Society for Music Theory Emerging Scholar Award 2014
• Winner of Society for Music Theory Emerging Scholar Award 2014.

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9781107504332

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Reviews

'... this is a richly textured, impressively detailed and well-chiseled study that will deepen our engagement with Helmholtz's complex acoustic cosmology.' David Trippett, Studies in History and Philosophy of Science '[Steege's] text moves ... with an interpretive delight and a virtuosity, drawing in a wide range of subjects and interlocutors.' Leslie David Blasius, Journal of the American Musicological Society

... this is a richly textured, impressively detailed and well-chiseled study that will deepen our engagement with Helmholtz's complex acoustic cosmology. David Trippett, Studies in History and Philosophy of Science [Steege's] text moves ... with an interpretive delight and a virtuosity, drawing in a wide range of subjects and interlocutors. Leslie David Blasius, Journal of the American Musicological Society

Author Information

Benjamin Steege is Assistant Professor of Music at Columbia University. He specializes in the history of music theory in the nineteenth and twentieth centuries, with particular emphasis on musical and scientific modernisms, the history of psychology and the history of listening. His work has appeared in publications including Current Musicology, the Journal of the American Musicological Society and the Journal of Music Theory.

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