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9781107022690

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Iain Fenlon is Professor of Historical Musicology at the University of Cambridge, and a Fellow of King's College. He has been affiliated with a number of academic institutions around the world including Harvard University, All Souls College, Oxford, New College, Oxford, the École Normale Supérieure, Paris, and the University of Bologna. Among his books are a two-volume study, Music and Patronage in Sixteenth-Century Mantua (1980), The Italian Madrigal in the Early Sixteenth Century (with James Haar, 1989) and Music and Culture in Late Renaissance Italy (2003). His most recent book is The Ceremonial City: History, Memory and Myth in Renaissance Venice (2007). Inga Mai Groote studied musicology, history and Italian philology at the University of Bonn. She has been Assistant Professor at the Institut für Musikwissenschaft, Ludwig-Maximilians-Universtät, Munich (2005–2010), where she directed a research project on transdisciplinary influences in sixteenth-century writings on music ('Humanistische Theorie der Musik im Wissenschaftssystem ihrer Zeit', 2008–11). Since 2010 she has taught musicology at the University of Zurich. She is the author of Musik in italienischen Akademien, Studien zur institutionellen Musikpflege, 1543–1666 (2007); her habilitationsschrift on the impact of Russian music in Paris (1870–1913) was completed in 2012.

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