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Author:   Amanda Boetzkes ,  Aron Vinegar
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.690kg
ISBN:  

9781138270251

ISBN 10:   1138270253
Pages:   374
Publication Date:   11 October 2016
Audience:   College/higher education ,  College/higher education ,  Postgraduate, Research & Scholarly ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents: Introduction, Amanda Boetzkes and Aron Vinegar; Part I Between Ontology and Ethics: The return of discrete, autonomous artworks: Heidegger, Harman, and algorithmic allure, Robert Jackson; The interior void of things: Heidegger and art of the 1980s and 1990s, Ileana Parvu (translated by Shane Lillis); Giovanni Battista Moroni, portraiture, and the ethics of early modern conversation, Bronwen Wilson. Part II Techniques of World-Making: Heidegger’s ’From the dark opening...’, Michael J. Golec; Art, materiality and the meaning of being: Heidegger on the work of art and the significance of things, Philip Tonner; ’Leaning into the wind’: poiesis in Richard Long, Diarmuid Costello. Part III Heidegger’s Unthought History of Art: Shapes of time: melancholia, anachronism, and de-distancing, Matthew Bowman; The gaze of ’historicity’ in Schongauer and Dürer, Michael Gnehm; ’A dwelling place’: sensing the poetics of the everyday in the work of Pierre Bonnard, Lori Nel Johnson. Part IV Making Claims and Aesthetic Judgment: Reluzenz: on Richard Estes, Aron Vinegar; Interpretation and the affordance of things, Amanda Boetzkes; Sein und Zeit im Raum: perspective as symbolic form, Whitney Davis; Index.

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Author Information

Amanda Boetzkes is Assistant Professor of Modern and Contemporary Art History at the University of Guelph, Canada. Aron Vinegar is Director of Art History and Visual Culture at the University of Exeter, UK.

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