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Full Product Details

Author:   Nelson Varas-Díaz ,  Niall W.R. Scott ,  Esther Clinton ,  Brian Hickam
Publisher:   Bloomsbury Publishing Plc
Imprint:   Lexington Books
Dimensions:   Width: 15.30cm , Height: 1.70cm , Length: 21.80cm
Weight:   0.354kg
ISBN:  

9781498506403

ISBN 10:   1498506402
Pages:   230
Publication Date:   06 August 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Introduction: Heavy Metal and the Communal Experience – Nelson Varas-Díaz and Niall Scott Part 1: Entering the Communal and Conceptualizing Collectiveness Chapter 1: Communities of Metal: Ideal, Diminished and Imaginary - Deena Weinstein Chapter 2: Absurd Communities of Misanthropic Paradox Destruction: You Play and We’ll Destroy the House! - Niall Scott Chapter 3: Talking Metal: The Social Phenomenology of Hanging Out - Esther Clinton and Jeremy Wallach Part 2: Strengthening Community Chapter 4: Ride between Hell and Paradise: Imaginaerum as Mental Anchoring Place for the Global Nightwish Fan Community - Toni-Matti Karjalainen Chapter 5: “We’re in this Together and We Take Care of our Own”: Narrative Constructions of Metal Community Told by Metal Youth - Paula Rowe Part 3: Communities in Contextual Interaction Chapter 6: Porous Communities: Critical Interactions between Metal Music and Local Culture in the Caribbean Context - Nelson Varas-Díaz, Sigrid Mendoza and Eric Morales Part 4: Tensions within the Communal Experience Chapter 7: Exploring the Language and Spectacle of Online Hate Speech in the Black Metal Scene: Developing Theoretical and Methodological Intersections between the Social Sciences and the Humanities - Vivek Venkatesh, Bradley J. Nelson, Tieja Thomas, Jason J. Wallin, Jeffrey S. Podoshen, Christopher Thompson, Kathryn Jezer-Morton, Jihan Rabah, Kathryn Urbaniak and Méi-Ra St. Laurent Chapter 8 : What Did the Norwegians Ever Do For Us? Actor-Network Theory, the Second Wave of Black Metal and the Imaginary Community of Heavy Metal - Karl Spracklen Part 5: Expanding the Community beyond Previously Thought Borders Chapter 9: Do Metal Scenes Need Retirement Homes? Care and the Limitations of Metal Community - Keith Kahn-Harris Chapter 10: A Shared Madness: The Joint Ownership of Heavy Metal History and Studies - Brian Hickam

Reviews

Heavy Metal Music and the Communal Experience  adds to the growing number of excellent metal scholarship being produced each year.  The editors have included chapters which examine the various roles community plays in Metal music and culture—though they are the first ones  to put so much together in one place.  I plan on using this book in my course on Metal Culture and History! -- Bryan A. Bardine, University of Dayton Heavy Metal Music and the Communal Experience is a brilliant collection of essays by luminaries in the field of metal music studies. The collection is both interdisciplinary and global in subject, and provides a primer on the important topic of community formation in metal scenes. It will become a classic text in the discipline. -- Amber Clifford, University of Central Missouri This volume is proof, if proof was needed, that Metal Studies is now a thriving, diverse, and intellectually engaging area of global academic inquiry.  Drawing on a range of theoretical and methodological approaches to the conceptualization and investigation of metal as community – from the ideal to the mythical, 'glocal' scene studies, age and identity, and culture and politics – this collection not only demonstrates the passion and commitment of metal scholars to produce work adequate to the growing complexity of its subject of inquiry but also that metal scholars themselves are a community that is growing in confidence and expertise. -- Andy R. Brown, Bath Spa University, Co-editor of Global Metal Music and Culture: Current Direction in Metal Studies

Heavy Metal Music and the Communal Experience adds to the growing number of excellent metal scholarship being produced each year. The editors have included chapters which examine the various roles community plays in Metal music and culture-though they are the first ones to put so much together in one place. I plan on using this book in my course on Metal Culture and History! -- Bryan A. Bardine, University of Dayton Heavy Metal Music and the Communal Experience is a brilliant collection of essays by luminaries in the field of metal music studies. The collection is both interdisciplinary and global in subject, and provides a primer on the important topic of community formation in metal scenes. It will become a classic text in the discipline. -- Amber Clifford, University of Central Missouri This volume is proof, if proof was needed, that Metal Studies is now a thriving, diverse, and intellectually engaging area of global academic inquiry. Drawing on a range of theoretical and methodological approaches to the conceptualization and investigation of metal as community - from the ideal to the mythical, 'glocal' scene studies, age and identity, and culture and politics - this collection not only demonstrates the passion and commitment of metal scholars to produce work adequate to the growing complexity of its subject of inquiry but also that metal scholars themselves are a community that is growing in confidence and expertise. -- Andy R. Brown, Bath Spa University, Co-editor of Global Metal Music and Culture: Current Direction in Metal Studies

Author Information

Nelson Varas-Díaz is professor of social-community psychology at the Florida International University. Niall Scott is senior lecturer in ethics at the University of Central Lancashire.

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