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9781316641989

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'Even were Harrison Birtwistle's Operas and Music Theatre not so well written by such a perceptive and well-qualified author as David Beard, it would be a definitive study. Since it is, the book can be unreservedly recommended for anyone interested in this corner of contemporary music: they cannot but come away with a greatly enhanced understanding of how Birtwistle's music works. For enthusiasts of Birtwistle's original and beautiful musical world it's essential.' Mark Sealey, Classical Net (classical.net) 'David Beard's new study of all Birtwistle's dramatic works is as impressively comprehensive and thorough as anyone could hope … There is a wealth of new insight and information in every chapter … this is a wonderfully dedicated study, which provides an invaluable guide to the most significant operatic achievement of our time.' Andrew Clements, Opera '… composers have a thousand ways of conjuring notes, and it is a testimony to Beard's skill and diligence that he has managed to explain so many of them … When Beard explicates the music he writes with admirable clarity, and no future writer on the composer can ignore the insights he offers … one hopes that Beard's colleagues at Cardiff University have cracked open a few expensive bottles in celebration of his achievement, even as they reflect that his exhaustive efforts have deprived other scholars of a profitable research area for a few generations to come.' Kevin O'Connell, The Musical Times '… the nature of Beard's focus enables him consistently to provide fresh, alternative insights that complement and enhance the existing literature … [He] provides the reader with valuable, fascinating insights into Birtwistle's compositional workshop … [and] draws on an impressive range of technical and conceptual tools alongside a keen eye for musical details that open up new interpretative vistas. This is a serious, committed volume that makes a significant contribution to Birtwistle scholarship, and should be essential reading for anyone interested in stage music of the late twentieth century.' Edward Venn, Tempo

'Even were Harrison Birtwistle's Operas and Music Theatre not so well written by such a perceptive and well-qualified author as David Beard, it would be a definitive study. Since it is, the book can be unreservedly recommended for anyone interested in this corner of contemporary music: they cannot but come away with a greatly enhanced understanding of how Birtwistle's music works. For enthusiasts of Birtwistle's original and beautiful musical world it's essential.' Mark Sealey, Classical Net (classical.net) 'David Beard's new study of all Birtwistle's dramatic works is as impressively comprehensive and thorough as anyone could hope ... There is a wealth of new insight and information in every chapter ... this is a wonderfully dedicated study, which provides an invaluable guide to the most significant operatic achievement of our time.' Andrew Clements, Opera '... composers have a thousand ways of conjuring notes, and it is a testimony to Beard's skill and diligence that he has managed to explain so many of them ... When Beard explicates the music he writes with admirable clarity, and no future writer on the composer can ignore the insights he offers ... one hopes that Beard's colleagues at Cardiff University have cracked open a few expensive bottles in celebration of his achievement, even as they reflect that his exhaustive efforts have deprived other scholars of a profitable research area for a few generations to come.' Kevin O'Connell, The Musical Times '... the nature of Beard's focus enables him consistently to provide fresh, alternative insights that complement and enhance the existing literature ... [He] provides the reader with valuable, fascinating insights into Birtwistle's compositional workshop ... [and] draws on an impressive range of technical and conceptual tools alongside a keen eye for musical details that open up new interpretative vistas. This is a serious, committed volume that makes a significant contribution to Birtwistle scholarship, and should be essential reading for anyone interested in stage music of the late twentieth century.' Edward Venn, Tempo

'Even were Harrison Birtwistle's Operas and Music Theatre not so well written by such a perceptive and well-qualified author as David Beard, it would be a definitive study. Since it is, the book can be unreservedly recommended for anyone interested in this corner of contemporary music: they cannot but come away with a greatly enhanced understanding of how Birtwistle's music works. For enthusiasts of Birtwistle's original and beautiful musical world it's essential.' Mark Sealey, Classical Net (classical.net) 'David Beard's new study of all Birtwistle's dramatic works is as impressively comprehensive and thorough as anyone could hope ... There is a wealth of new insight and information in every chapter ... this is a wonderfully dedicated study, which provides an invaluable guide to the most significant operatic achievement of our time.' Andrew Clements, Opera '... composers have a thousand ways of conjuring notes, and it is a testimony to Beard's skill and diligence that he has managed to explain so many of them ... When Beard explicates the music he writes with admirable clarity, and no future writer on the composer can ignore the insights he offers ... one hopes that Beard's colleagues at Cardiff University have cracked open a few expensive bottles in celebration of his achievement, even as they reflect that his exhaustive efforts have deprived other scholars of a profitable research area for a few generations to come.' Kevin O'Connell, The Musical Times '... the nature of Beard's focus enables him consistently to provide fresh, alternative insights that complement and enhance the existing literature ... [He] provides the reader with valuable, fascinating insights into Birtwistle's compositional workshop ... [and] draws on an impressive range of technical and conceptual tools alongside a keen eye for musical details that open up new interpretative vistas. This is a serious, committed volume that makes a significant contribution to Birtwistle scholarship, and should be essential reading for anyone interested in stage music of the late twentieth century.' Edward Venn, Tempo Even were Harrison Birtwistle's Operas and Music Theatre not so well written by such a perceptive and well-qualified author as David Beard, it would be a definitive study. Since it is, the book can be unreservedly recommended for anyone interested in this corner of contemporary music: they cannot but come away with a greatly enhanced understanding of how Birtwistle's music works. For enthusiasts of Birtwistle's original and beautiful musical world it's essential. Mark Sealey, Classical Net (classical.net) David Beard's new study of all Birtwistle's dramatic works is as impressively comprehensive and thorough as anyone could hope ... There is a wealth of new insight and information in every chapter ... this is a wonderfully dedicated study, which provides an invaluable guide to the most significant operatic achievement of our time. Andrew Clements, Opera ... composers have a thousand ways of conjuring notes, and it is a testimony to Beard's skill and diligence that he has managed to explain so many of them ... When Beard explicates the music he writes with admirable clarity, and no future writer on the composer can ignore the insights he offers ... one hopes that Beard's colleagues at Cardiff University have cracked open a few expensive bottles in celebration of his achievement, even as they reflect that his exhaustive efforts have deprived other scholars of a profitable research area for a few generations to come. Kevin O'Connell, The Musical Times ... the nature of Beard's focus enables him consistently to provide fresh, alternative insights that complement and enhance the existing literature ... [He] provides the reader with valuable, fascinating insights into Birtwistle's compositional workshop ... [and] draws on an impressive range of technical and conceptual tools alongside a keen eye for musical details that open up new interpretative vistas. This is a serious, committed volume that makes a significant contribution to Birtwistle scholarship, and should be essential reading for anyone interested in stage music of the late twentieth century. Edward Venn, Tempo

Author Information

David Beard is Senior Lecturer in Music at Cardiff University, where he is Director of the MA programme in Musicology. He has published widely on the music of Harrison Birtwistle in academic journals, including Music Analysis, the Cambridge Opera Journal and Twentieth-Century Music, and in notes for concerts and opera festivals. He has contributed to Peter Maxwell Davies Studies, Ancient Drama in Music for the Modern Stage and Dichotonies: Gender and Music, and he is the co-author of Musicology: The Key Concepts.

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