Overview

This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter’s theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed, debated and celebrated internationally. For over five decades, Pinter’s work traversed and redefined various forms and genres, constantly in dialogue with, and often impacting the work of, other writers, artists and activists. Combining a reconsideration of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author’s work, politics, collaborations and his enduring status as one of the world’s foremost dramatists. Three sections re-contextualize Pinter as a cultural figure; explore and interrogate his influence on contemporary British playwriting; and offer a series of original interviews with theatre-makers engaging in the staging of Pinter’s work today. Reconsiderations of Pinter’s relationship to literary and theatrical movements such as Modernism and the Theatre of the Absurd; interrogations of the role of class, elitism and religious and cultural identity sit alongside chapters on Pinter’s personal politics, specifically in relation to the Middle East.

Full Product Details

Author:   Basil Chiasson (Western University, Canada) ,  Catriona Fallow (Queen Mary University of London, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Weight:   0.431kg
ISBN:  

9781350133624

ISBN 10:   1350133620
Pages:   240
Publication Date:   11 February 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Part One: (Re)situating Pinter, Critical Orientations 1 Pinter’s Modernism(s) Revisited: A Drama Reliant upon Prose Basil Chiasson (Western University, Canada) 2 The Theatre of the Absurd as Professional Network in Harold Pinter’s Early Career Harry Derbyshire (University of Greenwich, UK) 3 The Elite Pinter and the Pinter Elite James Hudson (University of Lincoln, UK) 4 ‘Too Much of a Modern?’ Pinter’s Jewishness Eckart Voigts (TU Braunschweig, Germany) 5 Pinter’s Connections with the Middle East Ibrahim Yerebakan (Recep Tayyip Erdogan University, Turkey) Part Two: Pinter as Playwright, Playwrights and Pinter 6 ‘An insistence in my mind’: Pinter’s Writing Ethic Steve Waters (University of East Anglia, UK) 7 Beyond the Mainstage: Harold Pinter at the Royal Shakespeare Company Catriona Fallow (Queen Mary University of London, UK) 8 Theatre’s Dark Matter: Pinter’s ‘Staging’ of Systemic Violence and its Influence in Contemporary British Theatre Alex Watson (Royal Holloway, University of London, UK) 9 Faith, Telos and Failure: Pinter, Butterworth, Kelly David Pattie (University of Birmingham, UK) 10 The Crimpesque: Pinter’s Legacy in the Theatre of Martin Crimp Maria Elena Capitani (University of Parma, Italy) Part Three: Conversations with Collaborators 11 Interviews

Reviews

I really like the way the different strands are woven together : reconsideration of Pinter's status, biographical ( including his Jewishness) and political factors, his relationship with the theatre of his time and his position within the major trends of twentieth century European theatre. The presence of a practising British playwright within the contributors thinking about Pinter's working methods is very interesting as is the commentary on Pinter's influence on contemporary playwrights such as Martin Crimp, Dennis Kelly, Jez Butterworth. The final section of proposed interviews will tap into the current revival of interest in Pinter production -the 2018 Bristol Old Vic all-black actors production of The Caretaker and the current high-profile and critically acclaimed season of plays presented at the Pinter Theatre in London are just two examples. * Professor Claire Cochrane, University of Worcester, UK *

Author Information

Basil Chiasson is an Assistant Professor in the Faculty of Information and Media Studies and the Creative Arts Program at Western University, Canada. His publications on Harold Pinter include articles, book chapters, book reviews and one monograph, The Late Harold Pinter: Political Dramatist, Poet and Activist (2017). Other research and publications include articles and book chapters on neoliberalism and performance in contemporary British drama. From 2017 to 2019 he was a Research Fellow on the Arts and Humanities Research Council-funded project, Harold Pinter: Histories and Legacies, where he worked on an open-access database which captures the British production history of Pinter’s works for stage, screen and radio. Catriona Fallow teaches in the Department of Drama at Queen Mary University of London, UK. Between 2017 to 2019 she was a Research Fellow on the Arts and Humanities Research Council-funded project, Harold Pinter: Histories and Legacies, based at the University of Birmingham. She is currently contributing to collections on the #MeToo movement (Performing #MeToo: How Not to Look Away, 2020) and the work of Dennis Kelly (2021). Catriona’s work has been published in Studies in Theatre and Performance and presented at various conferences and symposia nationally and internationally.

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