Harmony in Beethoven

Author:   David Damschroder (University of Minnesota)
Publisher:   Cambridge University Press
ISBN:  

9781107134584


Pages:   308
Publication Date:   31 March 2016
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Harmony in Beethoven


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Author:   David Damschroder (University of Minnesota)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 17.00cm , Height: 1.90cm , Length: 24.40cm
Weight:   0.770kg
ISBN:  

9781107134584


ISBN 10:   1107134587
Pages:   308
Publication Date:   31 March 2016
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Preface; Part I. Methodological Orientation: Harmonielehre (The Piano Sonatas): 1. IV as intermediary between I and V; 2. II as intermediary between I and V; 3. A detailed look at the circle of fifths; 4. III on the path from I to V; 5. The mediant within the orbit of the tonic; 6. Notable linear initiatives; 7. Parenthetical passages; Part II. Masterpieces: 8. String Quartet in B♭Major (Op. 18, No. 6), La Malinconia, in response to William J. Mitchell; 9. Piano Sonata in D Minor (Op. 31, No. 2, 'Tempest'), movement 1, in response to William E. Caplin; 10. Violin Sonata in A Minor (Op. 47, 'Kreutzer'), movement 1, in response to Janet Schmalfeldt; 11. Symphony in A Major (Op. 92), movement 3, in response to Robert Gauldin; 12. Piano Sonata in E Major (Op. 109), in response to Nicholas Marston; 13. String Quartet in A Minor (Op. 132), movement 1, in response to Frank Samarotto; Epilogue.

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Author Information

David Damschroder is Professor of Music Theory at the University of Minnesota. His current research focuses on harmony in tonal music, a project that began with a careful examination of historical analytical practices, the basis for his Thinking about Harmony: Historical Perspectives on Analysis (Cambridge, 2008). The project continues with focused studies on selected repertoires: Harmony in Schubert (Cambridge, 2010), Harmony in Haydn and Mozart (Cambridge, 2012), Harmony in Chopin (Cambridge, 2015), and the present book. He has written textbooks on music fundamentals and ear-training/sight-singing, and his articles and reviews have appeared in numerous journals.

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