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OverviewUnder the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment. Full Product DetailsAuthor: David WorrallPublisher: Taylor & Francis Ltd Imprint: Pickering & Chatto (Publishers) Ltd Volume: No. 1 Dimensions: Width: 15.60cm , Height: 1.60cm , Length: 23.40cm Weight: 0.521kg ISBN: 9781851968510ISBN 10: 1851968512 Pages: 272 Publication Date: 01 January 2007 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction, David Worrall; Chapter 1 The Theatrical Network, David Worrall; Chapter 2 The Representation of Race on the Georgian Stage, David Worrall; Chapter 3 James Hewlett, Ira Aldridge and the Death of Christophe, King of Hayti, David Worrall; Chapter 4 Islamic India Restored: El Hyder and Tippoo Saib at the Royal Coburg Theatre, David Worrall; Chapter 5 The North African Islamic States on the British and American Stage, David Worrall; Chapter 6 Pacific Pantomimes: Omai, Or, A Trip Round The World And The Death Of Captain Cook, David Worrall; Chapter 7 Colonists, Convicts, Settlers and Natives: La Perouse, Pitcairn’s Island and Van Diemen’s Land!, David Worrall; Chapter 102 Conclusion, David Worrall;Reviews'This book is extensively documented and benefits from Worrall's thorough research of dramatic subgenres. Summing Up: Recommended' CHOICE Author InformationDavid Worrall Tab Content 6Author Website:Countries AvailableAll regions |
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