Overview

Hardly War, Don Mee Choi's major second collection, defies history, national identity, and militarism. Using artifacts from Choi's father, a professional photographer during the Korean and Vietnam wars, she combines memoir, image, and opera to explore her paternal relationship and heritage. Here poetry and geopolitics are inseparable twin sisters, conjoined to the belly of a warring empire. Like fried potato chips I believe so, utterly so The hush-hush proving ground was utterly proven as history Hardly=History I believe so, eerily so hush hush Now watch this performance Bull's-eye An uncanny human understanding on target Absolute=History loaded with terrifying meaning The Air Force doesn't say, hence Ugly=Narration Don Mee Choi is the author of The Morning News Is Exciting (Action Books, 2010), and translator of contemporary Korean women poets. She has received a Whiting Writers Award and the 2012 Lucien Stryk Translation Prize. Her translation of Kim Hyesoon's Sorrowtoothpaste Mirrorcream (Action Books, 2014) was a finalist for the 2015 PEN Poetry in Translation Award. She was born in Seoul and came to the United States via Hong Kong. She now lives in Seattle, Washington.

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9781940696232

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Reviews

Choi's work releases new-media energy; it moves at fiber optic speed as it to struggles to find terms for our 21st century experience of globalized media, especially as such media affects our sense of history, commodity, violence, politics, terror, and freedom. --Joyelle McSweeney, Montevidayo Don Mee writes about violence and injustice in modalities that are neither sentimental, obvious, or pornographic. --Forrest Gander Choi reverses Seamus Heaney's line that 'hope and history rhyme' on the far side of revenge: her historicising, her drawing attention to a need for revenge or a reckoning forgotten in mainstream US culture, sees translation and tragedy chime. --Dougal McNeill, Overland

Choi's use of hybrid forms poetry, memoir, opera libretto, images and artifacts from her father's -career as a photojournalist in the Korean and Vietnam Wars--lets her explore themes of injustice and empire, history and identity, sifting through the detritus of family, translation, propaganda and dislocation. Kathleen Rooney, The New York Times Sunday Book Review Playful and complex...Choi's poetry operates within a tradition of Korean-American experimental poets that includes Theresa Hak Kyung Cha and Myung Mi Kim. Choi's zany take on militarism and the Korean diaspora may seem absurdist, but it is an inventive and daring waltz that upends what is commonly understood as the 'Forgotten War.' Publishers Weekly While imperial history relishes mythmaking and triumphalism at the expense of the human and psychological costs of war, Choi revels in history's untold spaces. Lizzie Tribone, BOMB This book's sort of rogue clarity hinges on the poet's relationship with her father. Essentially, we experience the destabilizing effects of US-ROK entanglement as coherent because this relationship sutures time and space. His award-winning photographs of the war suffuse the pages. Caitie Moore, The Poetry Project Newsletter

Author Information

Don Mee Choi is the author of The Morning News Is Exciting (Action Books, 2010), and translator of contemporary Korean women poets. She has received a Whiting Writers Award and the 2012 Lucien Stryk Translation Prize. Her translation of Kim Hyesoon's Sorrowtoothpaste Mirrorcream (Action Books, 2014) was a finalist for the 2015 PEN Poetry in Translation Award. She was born in Seoul and came to the U.S. via Hong Kong. She now lives in Seattle.

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