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Reviews

Massee has packed a Polaroid camera like a Swiss Army knife, using it as a light meter, measuring tape, and reference library, enabling him to check continuity between takes or confirm props with a director.--Max Lakin ""W Magazine"" Massee has travelled the world during his 25-year career as a set designer - highlights of which include designing sets for not just Madonna but Jay Z and Keith Richards, brands like Gucci and Chanel and directors like David Lynch and Wes Anderson. The book is comprised entirely of Polaroids taken in Morocco, Australia and countless other locations in between... They're scenes captured in a way nobody captures anything anymore.--Elyssa Goodman ""The New York Times, T Magazine""

Massee has travelled the world during his 25-year career as a set designer - highlights of which include designing sets for not just Madonna but Jay Z and Keith Richards, brands like Gucci and Chanel and directors like David Lynch and Wes Anderson. The book is comprised entirely of Polaroids taken in Morocco, Australia and countless other locations in between... They're scenes captured in a way nobody captures anything anymore.--Elyssa Goodman The New York Times, T Magazine

Massee has packed a Polaroid camera like a Swiss Army knife, using it as a light meter, measuring tape, and reference library, enabling him to check continuity between takes or confirm props with a director.--Max Lakin W Magazine

Author Information

After growing up in France and receiving his MFA from the School of Applied Arts in Paris, American-born Happy Massee moved to New York to establish himself as a top production designer. His career has spanned theatre, film, commercials and fashion. He has worked with directors including Wes Anderson, David Lynch, Rob Marshall, and David Fincher. His film credits include Broken English, Welcome to the Rileys, Two Lovers and The Immigrant. In the world of fashion, he has worked with Mert and Marcus, Inez and Vinoodh, Peter Lindbergh, and Craig McDean. He also received a nomination for Best Production Design at the MTV Music Video Awards for Madonna's ""Take A Bow,"" which was elected to the permanent video library of the Museum of Modern Art, New York.

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