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Author:   Jessica Balanzategui (Swinburne University of Technology, Australia) ,  Naja Later
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.520kg
ISBN:  

9780367620585

ISBN 10:   0367620588
Pages:   164
Publication Date:   16 November 2020
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction: Quality Television (TV) Eats Itself: The TV Auteur and the Promoted Fanboy Naja Later 1. Not Just Another Serial Killer Show: Hannibal, Complexity, and the Televisual Palimpsest Stacey Abbott 2. Blood in the Moonlight: Hannibal as Queer Noir EJ Nielsen and Kavita Mudann Finn 3. Afterthoughts on ""Queer Cannibals and Deviant Detectives,"" Inspired by Hannibal Season 3 Jeff Casey 4. Making a Meal of the Law: Hannibal, Taste, and the Limits of Legality Jason Bainbridge 5. ""It’s Only Cannibalism If We’re Equals"": Carnivorous Consumption and Liminality in Hannibal Michael Fuchs and Michael Phillips 6. Tossed Salads and Scrambled Brains: Frasier, Hannibal, and Good Taste in Quality Television Andrew Lynch 7. Cannibalizing Montage: Slicing, Dicing, and Splicing in Bryan Fuller’s Hannibal Tara Lomax 8. The Quality Crime Drama in the TVIV Era: Hannibal, True Detective, and Surrealism Jessica Balanzategui

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Author Information

Jessica Balanzategui is Lecturer in Cinema and Screen Studies at Swinburne University of Technology, Australia. She is the author of The Uncanny Child in Transnational Cinema (AUP, 2018), the founding editor of Amsterdam University Press’s ""Horror and Gothic Media Cultures"" series, and editor of Refractory: A Journal of Entertainment Media. Naja Later is Academic Tutor in Media and Communications at Swinburne University of Technology, Australia. She researches intersections between pop culture and politics, with a focus on superhero and horror genres. She has published papers in the Quarterly Review of Film and Video and Participations: Journal of Audience & Reception Studies, and chapters with Rutgers University Press; University of Mississippi Press; and McFarland.

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