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9781625347206

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This is an exciting collection. To see handwriting as a kind of media--and to understand that media form as intersectional--is a major and most welcome shift in how scholars understand the material texts of early America and is crucially important for the field moving forward. --Megan Walsh, author of The Portrait and the Book: Illustration and Literary Culture in Early America This new collection is a key intervention in literary studies. Its essays vary from the most canonical writers (Bradstreet, Poe, Emerson) to more obscure figures whose texts inform the ways scholars understand writing, textuality, and intermediality. --Hilary E. Wyss, author of English Letters and Indian Literacies: Reading, Writing, and New England Missionary Schools, 1750-1830

“This is an exciting collection. To see handwriting as a kind of media—and to understand that media form as intersectional—is a major and most welcome shift in how scholars understand the material texts of early America and is crucially important for the field moving forward.”—Megan Walsh, author of The Portrait and the Book: Illustration and Literary Culture in Early America “This new collection is a key intervention in literary studies. Its essays vary from the most canonical writers (Bradstreet, Poe, Emerson) to more obscure figures whose texts inform the ways scholars understand writing, textuality, and intermediality.”—Hilary E. Wyss, author of English Letters and Indian Literacies: Reading, Writing, and New England Missionary Schools, 1750–1830

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Mark Alan Mattes is assistant professor of English at the University of Louisville.

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