Overview
This book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments—timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.
Full Product Details
Author: Voichita Bucur
Publisher: Springer Nature Switzerland AG
Imprint: Springer Nature Switzerland AG
Edition: 1st ed. 2022
Weight: 1.736kg
ISBN: 9783030986490
ISBN 10: 3030986497
Pages: 1042
Publication Date: 08 July 2022
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand 
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Table of Contents
Handbook of materials for percussion instrumentsChapter 0 Preface PART 1 Percussion instruments, their classification and their sound Chapter 1 Introduction Chapter 2 Organology of percussion instruments and patents Chapter 3 About the sound of percussion instruments Chapter 4 Experimental methodology for acoustical properties of percussion instruments PART 2 Structural parts of the Instruments Chapter 5 The membranophones - timpani, drums, tambourine Chapter 6 The Idiophones made of wood played with mallets – marimba, xylophone Chapter 7 The metallic idiophones played with mallets- vibraphone, glockenspiel Chapter 8 The struck idiophones played with mallets -gong, tam-tam, cymbal, chimes, triangle, plate Chapter 9 The mallets Chapter 10 Other Struck idiophone- the church bell, carillon Chapter 11 Idiophones with keyboard – celesta Chapter 12 The Concussion Idiophones - castanets, woodblocks Chapter 13 New Percussion instruments PART 3 Properties of Materials Chapter 14 Properties of wood for percussion instruments Chapter 15 Properties of metallic alloys for percussion instruments Chapter 16 Properties of leather for percussion instruments Chapter 17 Properties of new materials for percussion instruments PART 4 Maintenance and conservation of percussion instruments Chapter 18 Care and maintenance of percussion instruments Chapter 19 Conservation of percussion instrument Chapter 20 Patents
Reviews
This book contains new features ... and is of great interest for the musical acoustics community. ... Another appreciable specificity of the book is the high number of clear pictures and figures of wonderful quality ... . this book is a compulsory starting point for any future research on percussion instruments, and should be usefully associated with other books and publications more specialized in physical modeling. The references are extensive and beyond the usual references lists in musical acoustics. (Antoine Chaigne, EAA Newsletter Nuntius, euracoustics.org, January-February, 2023)
“This book contains new features … and is of great interest for the musical acoustics community. … Another appreciable specificity of the book is the high number of clear pictures and figures of wonderful quality … . this book is a compulsory starting point for any future research on percussion instruments, and should be usefully associated with other books and publications more specialized in physical modeling. The references are extensive and beyond the usual references lists in musical acoustics.” (Antoine Chaigne, EAA Newsletter Nuntius, euracoustics.org, January-February, 2023)
Author Information
Dr. Voichita Bucur, currently an adjunct professor at RMIT Melbourne, Australia, received her bachelor in Engineering in 1962 from Polytechnic Institute Brasov, Romania, and her PhD in Mechanics and Ultrasonics in 1984 from the Institut Supérieur des Materiaux, St Ouen, Paris today named Institut Superieur de Mecanique de Paris, France. Her fields of research encompass development of non-destructive techniques (vibrational, acoustic, ultrasonic, X-rays) for the assessment of the quality of trees, wood products and wood-based composites, mechanical characterisation of materials with non-destructive techniques, wood science and technology, and mechanical characterisation of wood for musical instruments. In 2004, she was awarded the silver medal by Société d’Encouragement du Progrès, France, for contributions to mechanics, acoustics, wood science, education and service to the society. In 2007, she received the distinguish award at 15th International Symposium on Non-destructive Testing of wood, Duluth, Minessota, USA, for contribution to the development of non-destructive techniques for wood and wood-based composites
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