Overview

Half Finished Prayers is a collection of passages written in the quiet spaces between belief and doubt, devotion and exhaustion, longing and restraint. These are not polished sermons or resolved confessions. They are fragments of thought, moments of spiritual wrestling, and truths spoken softly because speaking them loudly once felt dangerous. Moving through ancestry, faith, sin, desire, identity, and spiritual sorrow, this book sits with questions rather than rushing toward answers. It explores what it means to inherit belief, to fracture from it, to yearn for it again and to carry reverence even when certainty is gone. Each passage reads like a prayer interrupted, a confession paused mid-breath, a conversation with God, self, or history that never fully concludes. Structured in four parts, Half Finished Prayers traces a journey from rootedness to unraveling, from becoming to wondering. It is a book for readers who have loved their faith deeply, questioned it fiercely, and still find themselves kneeling, not because they have everything figured out, but because something sacred remains. This collection does not promise resolution. It offers recognition. It is for those who believe imperfectly, who doubt honestly, who ache quietly and who are learning that unfinished prayers still count.

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Makitia Thompson is a multi-genre storyteller whose work blends poetic intensity with the raw honesty of documentary-style fiction. Whether writing haunting character studies, time-bending novels, or intimate poetry collections, she gravitates toward the places where emotion fractures and truth demands to be seen. Her stories often unravel the quiet ache beneath survival, the complicated weight of memory, and the beauty that emerges from brokenness. As the founder of Minds In Design, Thompson explores the intersections of literature, visual art, and immersive world-building. Her oil and acrylic paintings mirror the emotional pulse of her books, creating a bridge between image and narrative that deepens the impact of her work. Originally from Halifax, Nova Scotia, she began writing at age eleven and has spent more than a decade shaping stories that challenge, unnerve, and invite readers to confront themselves with empathy. Across poetry and fiction, Thompson's work asks one enduring question: What does it mean to reclaim your voice after the world has tried to rewrite it?

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