Overview
Hakuho Sculpture is the first book in any language devoted entirely to Japanese sculpture of the Hakuho period (c. 650-710 CE). It focuses on the stylistic development and aesthetic qualities of Buddhist imagery through a careful study of gilt-bronze Buddhist icons from one of the most creative periods of Japanese Buddhist art. This close analysis of practically all extant Hakuho images reveals much about the creative activities of the ancient sculptors. The Hakuho period is frequently considered alongside the preceding Asuka period (c. 590-650), suggesting some type of organic development from one period to the next. This understanding is somewhat distorted, given the significant differences in sculptural styles between the two periods. Donald McCallum explains the differences as resulting from divergent sources in China and Korea and unique attitudes toward the making of images.
Full Product Details
Author: Donald F. McCallum
Publisher: University of Washington Press
Imprint: University of Washington Press
Dimensions:
Width: 17.80cm
, Height: 1.50cm
, Length: 25.40cm
Weight: 0.544kg
ISBN: 9780295991306
ISBN 10: 0295991305
Pages: 176
Publication Date: 11 January 2012
Audience:
Professional and scholarly
,
College/higher education
,
Professional & Vocational
,
Postgraduate, Research & Scholarly
Format: Hardback
Publisher's Status: Out of Print
Availability: Awaiting stock
Reviews
Against the broader trends to view the Hakuho period of Japanese art as an extension of the Asuka period or as a transitional phase leading to the celebrated artistic accomplishment of the Nara period, McCallum argues for the essential uniqueness of this 60-year period. . . . The volume's 50 large and beautiful illustrations enable the reader to follow McCallum's discussion with relative ease. -- Lori Meeks * Journal of Japanese Studies *
Against the broader trends to view the Hakuh? period of Japanese art as an extension of the Asuka period or as a transitional phase leading to the celebrated artistic accomplishment of the Nara period, McCallum argues for the essential uniqueness of this 60-year period. . . . The volume's 50 large and beautiful illustrations enable the reader to follow McCallum's discussion with relative ease. -Lori Meeks, Journal of Japanese Studies 40:1, 2014
Against the broader trends to view the Hakuh period of Japanese art as an extension of the Asuka period or as a transitional phase leading to the celebrated artistic accomplishment of the Nara period, McCallum argues for the essential uniqueness of this 60-year period... The volume's 50 large and beautiful illustrations enable the reader to follow McCallum's discussion with relative ease. -- Lori Meeks Journal of Japanese Studies
Author Information
Donald McCallum is professor of Japanese art history at the University of California, Los Angeles, and author of Zenkoji and Its Icon: A Study of Medieval Japanese Religious Art and The Four Great Temples: Buddhist Archaeology, Architecture, and Icons of Seventh-Century Japan.
