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OverviewFull Product DetailsAuthor: Dr Geoff Boucher (Deakin University, Australia)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Weight: 0.553kg ISBN: 9781501344053ISBN 10: 1501344056 Pages: 288 Publication Date: 01 July 2021 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgments Abbreviations Introduction 1. Adorno's Social Philosophy 2. Adorno's Aesthetic Theory 3. Habermas's Social Theory 4. The Literary Discourse of Modernity 5. The Nature of Critique 6. Silenced Needs, Hidden Desires 7. Habermas and the Devil: Thomas Mann's Doctor Faustus 8. Imaginative Disclosure and Literary Identification 9. Literary Visions and the Social Imaginary 10. The Phoenix and the Serpent: JK Rowling's Harry Potter Series References IndexReviewsAn original, ambitious, and expansive attempt to redefine the importance of literature via German critical theory. Highly recommended not only for scholars of Habermas or Adorno, but anyone interested in the relations between critique and disclosure, negation and transformation. * Rita Felski, John Stewart Bryan Professor of English, University of Virginia, USA, and author of Hooked: Art and Attachment (2020) * Habermas and Literature brings Habermas's ideas into contact with aesthetic and cultural theories within and beyond the Frankfurt School. It does so through close engagement with debates around aesthetic rationality, world disclosure, social imaginaries, post-secular society and the utopian demand for happiness articulated by artworks. In the process, Habermas's ideas are critically reconstructed when necessary, with reference to psychoanalytic and literary theories, and tested in relation to demanding fiction and popular works of art. * David Ingram, Professor of Philosophy, Loyola University, Chicago, USA * Geoff Boucher has been working on themes such as critical theory, Habermas’s communication theory, literature, and the literary imagination for many years. In this important study he focuses on how literature, as an experimental laboratory for modern subjectivity, stands in a reciprocal relationship with new visions of the social imaginary. Boucher’s impressive ability to interpret themes such as critique and disclosure in literature studies, deserves a wide readership in the humanities and social sciences. * Pieter Duvenage, Dean of Humanities, Akademia, Centurion, South Africa * Building on a masterly presentation of the history of the Frankfurt School, Habermas and Literature demonstrates the value of a communicative approach in literary studies. With peerless erudition, Boucher highlights the aesthetic dimensions of Habermas’ project, and how literary works can foster critical publics and open up new social imaginaries. Habermas and Literature is an indisputable tour de force. * Jean-Philippe Deranty, Professor of Philosophy, Macquarie University, Australia * An original, ambitious, and expansive attempt to redefine the importance of literature via German critical theory. Highly recommended not only for scholars of Habermas or Adorno, but anyone interested in the relations between critique and disclosure, negation and transformation. * Rita Felski, John Stewart Bryan Professor of English, University of Virginia, USA, and author of Hooked: Art and Attachment (2020) * Habermas and Literature brings Habermas's ideas into contact with aesthetic and cultural theories within and beyond the Frankfurt School. It does so through close engagement with debates around aesthetic rationality, world disclosure, social imaginaries, post-secular society and the utopian demand for happiness articulated by artworks. In the process, Habermas's ideas are critically reconstructed when necessary, with reference to psychoanalytic and literary theories, and tested in relation to demanding fiction and popular works of art. * David Ingram, Professor of Philosophy, Loyola University, Chicago, USA * Geoff Boucher has been working on themes such as critical theory, Habermas's communication theory, literature, and the literary imagination for many years. In this important study he focuses on how literature, as an experimental laboratory for modern subjectivity, stands in a reciprocal relationship with new visions of the social imaginary. Boucher's impressive ability to interpret themes such as critique and disclosure in literature studies, deserves a wide readership in the humanities and social sciences. * Pieter Duvenage, Dean of Humanities, Akademia, Centurion, South Africa * An original, ambitious, and expansive attempt to redefine the importance of literature via German critical theory. Highly recommended not only for scholars of Habermas or Adorno, but anyone interested in the relations between critique and disclosure, negation and transformation. * Rita Felski, John Stewart Bryan Professor of English, University of Virginia, USA, and author of Hooked: Art and Attachment (2020) * Habermas and Literature brings Habermas's ideas into contact with aesthetic and cultural theories within and beyond the Frankfurt School. It does so through close engagement with debates around aesthetic rationality, world disclosure, social imaginaries, post-secular society and the utopian demand for happiness articulated by artworks. In the process, Habermas's ideas are critically reconstructed when necessary, with reference to psychoanalytic and literary theories, and tested in relation to demanding fiction and popular works of art. * David Ingram, Professor of Philosophy, Loyola University, Chicago, USA * Author InformationGeoff Boucher is Associate Professor in the Faculty of Arts and Education at Deakin University, Australia. He is the author of number of books on continental philosophy, including Understanding Marxism (2012), Adorno Reframed (2012) and (with Matthew Sharpe) Zizek and Politics (2010). Tab Content 6Author Website:Countries AvailableAll regions |