Gustav Klimt: From Drawing to Painting

Author:   Christian M. Nebehay ,  Renée Nebehay-King
Publisher:   Thames & Hudson Ltd
ISBN:  

9780500092439


Pages:   288
Publication Date:   15 August 1994
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Gustav Klimt: From Drawing to Painting


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Full Product Details

Author:   Christian M. Nebehay ,  Renée Nebehay-King
Publisher:   Thames & Hudson Ltd
Imprint:   Thames & Hudson Ltd
Dimensions:   Width: 23.90cm , Height: 3.10cm , Length: 32.80cm
Weight:   2.410kg
ISBN:  

9780500092439


ISBN 10:   0500092435
Pages:   288
Publication Date:   15 August 1994
Audience:   General/trade ,  College/higher education ,  General ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"The Klimt brothers and the Floge family; Gustav Klimt and Emperor Franz Joseph I; the foundation of the Secession 1897; the university paintings 1894-1907 - art, scandal and literary controversy; Gustav Klimt as illustrator - the journal ""Ver Sacrum""; Gustav Klimt and Hermann Bahr; Gustav Klimt and Max Klinger, 1902; the 14th Secession exhibition and Gustav Klimts ""Beethoven"" frieze, 1902; Auguste Rodin's visit to Vienna, 1902; Gustav Klimt and Ferdinand Hodler, 1904; Gustav Klimt and Peter Altenberg; Gustav Klimt and Josef Hoffmann; Gustav Klimt, Fritz Waerndorfer and the Primavesi family; the Stoclet frieze, 1905-1911; the withdrawal of the Klimt group from the Secession and the Kunstschau exhibitions in 1908 and 1909; Gustav Klimt as the sponsor of young talent; Gustav Klimt and Egon Schiele; Gustav Klimt and Sonja Knips; Gustav Klimt and the Lederer family; Gustav Klimt's collectors - Karl Wittgenstein, the Zuckerkandl family, the Bohler brothers and the Bloch-Bauers; Gustav Klimt and the art dealers; Gustav Klimt and Emilie Floge; Gustav Klimt, Alma Mahler-Werfel and Carl Moll; Gustav Klimt and his professional models; Gustav Klimt and Maria Zimmermann; Gustav Klimt's son Gustav Ucicky."

Reviews

Andrew Wyeth's Helgas be damned. Klimt's erotic turn-of-the-century Viennese paintings have of late become popular iconographic fodder, and this handsome and luxuriant coffee-table extravaganza goes a long way to showing why. Nebehay's father was a friend and art dealer of Klimt's (1862-1918). The author himself is an Austrian antiquarian bookseller and scholar of Klimt, and of his notorious student, Egon Schiele. Nebehay puts his penchant for detail to great use as he incorporates a lively variety of visual sources: period postcards, posters, sepia photographs of the artist and his milieu, industrial-design objects of the period, examples of Viennese Ringstrasse neo-baroque architecture, and facsimile reproductions of sketchbook pages and correspondences. Special attention is paid to Vienna's utopian Secession movement, of which Klimt served as de facto leader. Its members included Otto Wagner, Josef Hoffmann, and Joseph Maria Olbrich. The work of these men, as well as that of Klimt's students Oskar Kokoschka and Schiele, is detailed in depth in the author's workmanlike and thoroughly annotated text. The book's real strength, though, is pictorial. The images are arranged in powerful juxtapositions. Klimt's loose and mellifluous pencil studies of nudes are counterposed with his intricate and stiffly stylized finished paintings. Elsewhere, full-bleed double-page spreads are effectively employed to reproduce sketchbook studies - virtuoso doodlings in India ink of achingly erotic waifs and hollow-eyed death skulls. Lastly, a curriculum vitae time line is augmented with photos, Klimt's personal writings, and exhaustive supporting notes. In all, a package filled with studious information that succeeds foremost through its daring and stylish visual presentation. As art books go, this one offers quite the ride - heights of intoxicating decadence tethered down by scrupulous scholarly documentation. (Kirkus Reviews)


Gustav Klimt is perhaps the most remarkable artist to emerge from fin-de-siele Vienna. Heavily influenced by Symbolism and Art Nouveau, he developed a highly controversial and personal style emphasizing decorative form and flat pattern, whilst conveying a powerful yet mysterious sexuality. Here a noted Klimt expert places the artist in the context of the society he both shocked and delighted. The best of this abundant sketches and the finished paintings are brought together for the first time, and a central theme of the book is to use this juxtaposition to reveal the development of his works. While the drawings reveal a command of line, the paintings - many of which are reproduced with large-scale details - show his brilliant mastery of colour. Based on the latest research, this is the definitive presentation of Klimt's exotic, ornate paintings, of his dramatic and spontaneous sketches and of the extraordinary milieu which fostered his gift. (Kirkus UK)


Author Information

Professor Christian M. Nebehay has published many books on Klimt, Schiele and their peers, including Egon Schiele Sketchbooks, also published by Thames & Hudson.

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