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Author:   Lucia Tantardini ,  Rebecca Norris
Publisher:   Brill
Imprint:   Brill
Volume:   68
Weight:   0.640kg
ISBN:  

9789004444645

ISBN 10:   9004444645
Pages:   262
Publication Date:   21 December 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Preface and Acknowledgements  Lucia Tantardini, Rebecca Norris and Lucia Tantardini List of Figures Notes on Contributors Notes on the Text Monstrous Inventions: Caricature and the Grotesque in Early Modern Art  Sandra Cheng 1 Leonardo da Vinci’s Drawings of Busts of Old Men and Women with Monstruous Faces: Satire as Moral Criticism  Michael W. Kwakkelstein 2 Lomazzo’s Grotesque Heads Revisited  Lucia Tantardini 3 Sebastiano del Piombo’s Caricatural Gesture and the Path to Idealism  Matthias Wivel 4 Burlesque Irreverences: Domenico Campagnola and Ruzante in the Corte Cornaro  Christophe Brouard 5 Carracci’s Ritrattini Carichi and the ‘Origins’ of Caricature  Mary Vaccaro 6 Guercino’s Grotesque Heads and Caricatures  Nicholas Turner 7 Deformation as Revelation: A Monstrous Portrait by Bartolomeo Passerotti  Ilaria Bernocchi 8 Heavenly Bodies III: Bernini’s Caricatures and Copies  Tod Marder 9 Rudolf Wittkower, Bernini’s Caricatures (1931)  Translator Susan Klaiber 10 Jusepe de Ribera and the Grotesque: Between Science and Comedy  Carlo Avilio Bibliography

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Author Information

Rebecca Norris, PhD (2014, University of Cambridge), is Adjunct Instructor in Art History at the University of Nebraska in Omaha. She is a scholar of North Italian Renaissance. Lucia Tantardini, PhD (2014, University of Cambridge), is an Affiliated Lecturer in History of Art at the University of Cambridge and a Fellow of Clare Hall, Cambridge. She is a scholar of Renaissance Milan and is currently working on two books: Aurelio Luini (ca. 1530–93). The Complete Paintings and Drawings (Ugo Bozzi) and Drawing in Renaissance and Early Modern Milan (Routledge).

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