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9780817360979

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This is an original account of how one country sings against another country whose musical, imperial, and imaginary influences shaped its national songbook. And by analyzing the image of the United States in Chile's unique popular poetics, the book stimulates in the reader's mind and ears other musical dialogues across the region and the world. --Pablo Palomino, author of The Invention of Latin American Music: A Transnational History

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Eunice Rojas is the Herman N. Hipp Associate Professor of Modern Languages and Literatures at Furman University. She is author of Spaces of Madness: Insane Asylums in Argentine Narrative and coeditor of Sounds of Resistance: The Role of Music in Multicultural Activism.

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