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OverviewFull Product DetailsAuthor: Eleftheria Ioannidou (Lecturer in Theatre/Performance, Lecturer in Drama, University of Birmingham)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 14.10cm , Height: 1.70cm , Length: 22.20cm Weight: 0.362kg ISBN: 9780199664115ISBN 10: 0199664110 Pages: 208 Publication Date: 12 January 2017 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsFrontmatter Author's Note 0: Introduction: Tragic (Trans)formations: Greek Tragedy and Postmodernism 1: Tragedy and Modern Critical Debate 2: Viewing through the Frames of Tragedy 3: Tragic Absences and Metatheatrical Performances 4: From Author-God to Textual Communion 5: Textual Fragments and Sexual Politics 6: Conclusion Endmatter Bibliography IndexReviewsWhether or not the reader has a stake in the Marxist dispute into which the author wades, they will find much of value in the sophisticated readings presented here. Anyone interested in contemporary performance theory will find a fascinating overview. --Ella Haselswerdt, Bryn Mawr Classical Review Whether or not the reader has a stake in the Marxist dispute into which the author wades, they will find much of value in the sophisticated readings presented here. Anyone interested in contemporary performance theory will find a fascinating overview. * Ella Haselswerdt, Bryn Mawr Classical Review * Author InformationEleftheria Ioannidou is a Lecturer in Theatre/Performance at the University of Groningen in the Netherlands. She previously held a Humboldt Research Fellowship at the Freie Universität, Berlin from 2010 until 2012 and a lectureship in Drama and Theatre Arts at the University of Birmingham from 2012 until 2016. She studied theatre in Athens and at Royal Holloway, London, and read for a doctorate at the University of Oxford, working on the adaptation of Greek tragic texts and postmodernism. Her research is concerned with the reception of Greek tragedy in twentieth-century theatre and theory, with a particular focus in her current work on the performance of Greek tragedy and the use of ancient theatre spaces under fascist regimes in inter-war Europe. Tab Content 6Author Website:Countries AvailableAll regions |