Great Satan's Rage: American Negativity and Rap/Metal in the Age of Supercapitalism
Author:   Scott Wilson ,  Bethan Hirst
Publisher:   Manchester University Press
ISBN:  

9780719074639


Pages:   208
Publication Date:   31 March 2008
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Great Satan's Rage: American Negativity and Rap/Metal in the Age of Supercapitalism


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Full Product Details

Author:   Scott Wilson ,  Bethan Hirst
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 15.60cm , Height: 1.30cm , Length: 23.40cm
Weight:   0.472kg
ISBN:  

9780719074639


ISBN 10:   0719074630
Pages:   208
Publication Date:   31 March 2008
Audience:   College/higher education ,  Professional and scholarly ,  General/trade ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of figures Acknowledgements 1. Introduction 2. Supercapitalism 3. Negativity 4. Niggativity 5. X-essence of the wigga 6. Big Momma Thang 7. Mom and pop rage 8. Columbine 9. Rage of the machine 10. Joy metal 11. All is war Bibliography Discography Index -- .

Reviews

Great Satan's Rage is a cogently argued and meticulously researched book that authoritatively weaves a dazzling array of ideas and theorists. As such, it makes an important contribution to the study of popular music within a social, political and economic context, and suggests that extreme music still has much to rage against., Lee Barron, The French Journal of Popular Music Studies Volume ! no 9-2 -- .


Great Satan's Rage is a cogently argued and meticulously researched book that authoritatively weaves a dazzling array of ideas and theorists. As such, it makes an important contribution to the study of popular music within a social, political and economic context, and suggests that extreme music still has much to rage against. -- Lee Barron. The French Journal of Popular Music Studies Volume ! no 9-2


Author Information

Scott Wilson is Professor in Media and Cultural Studies at Kingston University

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