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OverviewFull Product DetailsAuthor: Bally MeedaPublisher: Emerald Publishing Limited Imprint: ICE Publishing Edition: 2nd Edition Dimensions: Width: 21.00cm , Height: 1.70cm , Length: 29.70cm Weight: 0.896kg ISBN: 9780727761712ISBN 10: 0727761714 Pages: 168 Publication Date: 13 August 2018 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAs one of my favourite urban design books, this new edition is just as visually stimulating, and reminds us how to use visual media to engage, excite and include in an intuitive way, whereas so many planning and technical documents are text-based and do none of the above. The document is logically structured; the introductory section, Setting the Scene, provides a reminder of the importance of graphic techniques for the communication of ideas and of the history of graphics to convey urban aspirations. It puts into perspective our ability to produce visualisations of largescale proposals today, and is described as a guide to help urban design teams to select the most appropriate form of graphics for any particular project and at the right stage. The second section, The Process, emphasises the role of graphics within urban design – context and site analysis and the different diagrams that can be used such as figure ground, landmarks, historic evolution etc. Tracing paper, pens, post-it notes and photos highlight the value of simple tools people can use and are essential for good participation and engagement. The design rationale, which underpins the later more detailed ideas, can be presented via a storyboard of diagrams, photos, sketches, images and cartoons or in more graphical expression that can be easily shared. A third section of the document covers the practical creation of drawings. The stepby- step progression will be of particularly value to students and newly employed urban designers. The final and longest section relates to Good Practice, useful for public and commercial design teams as they plan a project. It provides many good tips and useful examples of when and where to use different types of graphic representation such as photomontages and before and after images. It explains how graphical styles and techniques should become more definitive and measurable as the project moves towards final proposals. The book is very legible and well presented with a full range of computer generated images (CGIs), 3D visuals, 2D plans and sketches. Pages are spaciously laid out and readable, practicing what it preaches – that breathing space is needed in final documents. Clutter and excess detail are to be avoided, a bit like in the built environment. -- Tim Hagyard, freelance chartered town planner and urban designer Author InformationBally Meeda is Director of Urban Graphics and a visiting lecturer at Oxford Brookes University, University College London and the University of Northampton. Tab Content 6Author Website:Countries AvailableAll regions |