Graphic War: Jewish Women Drawing Contested Spaces

Author:   Laini Kavaloski
Publisher:   Rutgers University Press
ISBN:  

9781978830998


Pages:   190
Publication Date:   13 January 2026
Format:   Hardback
Availability:   Not yet available   Availability explained
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Graphic War: Jewish Women Drawing Contested Spaces


Overview

Employing geographical and political structures to her analyses, Laini Kavaloski argues that spatial forms that represent boundaries such as walls, ghettos, and war zones together with the artistic renderings of emotion, gendered experiences, and cultural narratives make visible the consequences of war on bodies and political futures. Representations of Jewish territorial positions are not only metaphoric but are also active forces in determining the effects of boundaries-political and cultural- on Jewish lives. Through an archive of contemporary memoirs that grapple with Jewish experiences of war, Graphic War makes visible the consequences of state structures, militarized environments, and nationalisms on the female body and in doing so registers a shift from the persistent Jewish identification with 20th-century oppression toward a narrative of Jewish belonging based in transnational agency and activism in the 21st Century.

Full Product Details

Author:   Laini Kavaloski
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Weight:   0.454kg
ISBN:  

9781978830998


ISBN 10:   1978830998
Pages:   190
Publication Date:   13 January 2026
Audience:   College/higher education ,  College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

Table of Contents

Introduction: Jewish In/security and Graphic Borders Chapter 1: Militarized Bodies and Contested Homelands in the Works of Miriam Libicki and Sarah Glidden Chapter 2: The Implicated Subject and WWII Identity in the Twenty-First Century Chapter 3: ""The Drug of H"": Holocaust Addiction, Pulp Horror, and Jewish Identity Chapter 4: ""Work for the Future, Not Only for Memory"": Agency, Activism, and Joy in the Works of Leela Corman and Julia Alekseyeva Conclusion: Transforming Political Structures and Futures Works Cited Notes Index

Reviews

""Kavaloski's feminist-spatial practice, with her focus on nationalization and bodies, avoids many of the exceptionalist pitfalls to which the standard historicism dominant in Jewish studies is heir. The compelling model of critical intellectuality elaborated here will aid the effort to break down the boundaries of epistemic privilege behind which Jewish studies so often practices its trade.""--Benjamin Schreier ""author of The Rise and Fall of Jewish American Literature: Ethnic Studies and the Challenge of Ident"" ""Kavaloski's thoughtful readings of Jewish graphic narratives offer new insights into how war and violence affect contemporary Jewish women. This is an important contribution towards understanding the ways that politics, gender, religion, and nationality intersect and the role that visual narratives can play in providing a platform for navigating these complex identities.""--Matt Reingold ""author of Jewish Comics and Graphic Narratives: A Critical Guide"" ""Anchored by representations of war and violence, Kavolski offers a deft addition to the study of contemporary Jewish graphic narratives through an analysis of the female experience across gendered and national borders."" --Samantha Baskind ""author of Moses Jacob Ezekiel: Jewish, Confederate, Expatriate Sculptor"" ""Graphic War is remarkable, arguing that the comic form is exemplary in its engagement with borders, boundaries, and national and cultural identity. Kavaloski argues that comics are an ideal genre for women to contest Jewish national and cultural identity at a time when gender, nation, and belonging have been put seriously in question.""--Michael Bernard-Donals ""Chaim Perelman Professor of Rhetoric and Culture, University of Wisconsin-Madison""


""Kavaloski's feminist-spatial practice, with her focus on nationalization and bodies, avoids many of the exceptionalist pitfalls to which the standard historicism dominant in Jewish studies is heir. The compelling model of critical intellectuality elaborated here will aid the effort to break down the boundaries of epistemic privilege behind which Jewish studies so often practices its trade.""--Benjamin Schreier ""author of The Rise and Fall of Jewish American Literature: Ethnic Studies and the Challenge of Ident"" ""Kavaloski's thoughtful readings of Jewish graphic narratives offer new insights into how war and violence affect contemporary Jewish women. This is an important contribution towards understanding the ways that politics, gender, religion, and nationality intersect and the role that visual narratives can play in providing a platform for navigating these complex identities.""--Matt Reingold ""author of Jewish Comics and Graphic Narratives: A Critical Guide"" ""Graphic War is remarkable, arguing that the comic form is exemplary in its engagement with borders, boundaries, and national and cultural identity. Kavaloski argues that comics are an ideal genre for women to contest Jewish national and cultural identity at a time when gender, nation, and belonging have been put seriously in question.""--Michael Bernard-Donals ""Chaim Perelman Professor of Rhetoric and Culture, University of Wisconsin-Madison""


Author Information

LAINI KAVALOSKI is an associate professor of English and humanities at the State University of New York in Canton.

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